Sounding race in rap songs / Loren Kajikawa.
Material type: TextPublisher: Berkeley : University of California Press, 2015Description: 224 pages ; 23 cmContent type: text Media type: unmediated Carrier type: volumeISBN: 9780520283992; 9780520283985 (hbk.) :Subject(s): Rap (Music) -- Social aspects -- United States | Music and race | Race awareness -- United States | Racism in popular culture -- United States | Music | MusicDDC classification: 782.4'21649 Summary: As one of the most influential and popular genres of the last three decades, rap has cultivated a mainstream audience and become a multimillion-dollar industry by promoting highly visible and often controversial representations of blackness. This book argues that rap music allows us not only to see but also to hear how mass-mediated culture engenders new understandings of race. It traces the changing sounds of race across some of the best-known rap songs of the past 35 years, combining song-level analysis with historical contextualization to show how these representations of identity depend on specific artistic decisions, such as those related to how producers make beats.Item type | Current library | Home library | Shelving location | Class number | Status | Date due | Barcode | Item reservations | |
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Book | Paul Hamlyn Library | Paul Hamlyn Library | Floor 3 | 782.421649 KAJ (Browse shelf(Opens below)) | Available | 06230245 |
Includes bibliographical references, discography, filmography, and index.
As one of the most influential and popular genres of the last three decades, rap has cultivated a mainstream audience and become a multimillion-dollar industry by promoting highly visible and often controversial representations of blackness. This book argues that rap music allows us not only to see but also to hear how mass-mediated culture engenders new understandings of race. It traces the changing sounds of race across some of the best-known rap songs of the past 35 years, combining song-level analysis with historical contextualization to show how these representations of identity depend on specific artistic decisions, such as those related to how producers make beats.
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