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Complete guide to film scoring : the art and business of writing music for movies and TV / Richard Davis ; edited by Jonathan Feist.

By: Davis, Richard, 1952- [author.]Contributor(s): Feist, Jonathan [editor.]Material type: TextTextSeries: Berklee guidePublisher: Boston, Massachusetts : Berklee Press, [2010]Distributor: Milwaukee, Wisconsin : Distributed by Hal Leonard, [date of distribution not identified]Copyright date: 2010Edition: Second editionDescription: 1 online resource (xi, 410 pages) : illustrationsContent type: text Media type: computer Carrier type: online resourceISBN: 9781495032264 (e-book)Subject(s): Motion pictures -- Production and direction | Television music -- Instruction and study | Motion pictures and television | Motion picture music -- Instruction and study | Motion picture music -- History and criticismGenre/Form: Electronic books.Additional physical formats: Print version:: Complete guide to film scoring : the art and business of writing music for movies and TV.DDC classification: 781.5/4213 Online access: Open e-book
Contents:
The history of film music. Early films and music : the silent movies ; The first talkies : the beginning of synchronized music ; The studio system and the studio music department ; Musical styles 1930 to 1950 : the golden age of Hollywood ; Musical styles 1950 to 1975 ; 1975 to today ; Film-scoring technology -- Production. The film-making process ; The composer's time frame ; Spotting ; The music editor ; The music team : orchestrators and music preparation ; The recording session and mix -- The music. Creating the music ; Technical requirements of the score ; Syncing the music to picture ; Television ; Ethnic and period music ; Animation ; Songs, soundtracks, and source music -- The business of film scoring. Making the deal : agents, attorneys, and contracts ; Publishing and copyrights ; Royalties ; Demos and marketing ; Finding work -- Interviews. Elmer Bernstein ; Terence Blanchard ; Alf Clausen ; Cliff Eidelman ; Danny Elfman ; Richard Gibbs ; Elliot Goldenthal ; Michael Gorfaine & Sam Schwartz ; Harry Gregson-Williams ; Mark Isham ; Michael Kamen ; Mark Mancina ; David Newman ; David Raksin ; Lolita Ritmanis ; William Ross ; Marc Shaiman ; Alan Silvestri ; Mark Snow ; Richard Stone ; Shirley Walker.
Summary: A guide to the business, process, and procedures for writing music for film or television. Includes interviews with film scoring professionals.
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Includes bibliographical references and index.

The history of film music. Early films and music : the silent movies ; The first talkies : the beginning of synchronized music ; The studio system and the studio music department ; Musical styles 1930 to 1950 : the golden age of Hollywood ; Musical styles 1950 to 1975 ; 1975 to today ; Film-scoring technology -- Production. The film-making process ; The composer's time frame ; Spotting ; The music editor ; The music team : orchestrators and music preparation ; The recording session and mix -- The music. Creating the music ; Technical requirements of the score ; Syncing the music to picture ; Television ; Ethnic and period music ; Animation ; Songs, soundtracks, and source music -- The business of film scoring. Making the deal : agents, attorneys, and contracts ; Publishing and copyrights ; Royalties ; Demos and marketing ; Finding work -- Interviews. Elmer Bernstein ; Terence Blanchard ; Alf Clausen ; Cliff Eidelman ; Danny Elfman ; Richard Gibbs ; Elliot Goldenthal ; Michael Gorfaine & Sam Schwartz ; Harry Gregson-Williams ; Mark Isham ; Michael Kamen ; Mark Mancina ; David Newman ; David Raksin ; Lolita Ritmanis ; William Ross ; Marc Shaiman ; Alan Silvestri ; Mark Snow ; Richard Stone ; Shirley Walker.

A guide to the business, process, and procedures for writing music for film or television. Includes interviews with film scoring professionals.

Description based on print version record.

Electronic reproduction. Ann Arbor, MI : ProQuest, 2018. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.

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