Cléo de 5 à 7 / Steven Ungar.
Material type: TextSeries: BFI film classicsPublisher: London : BFI, 2020Edition: 2nd editionDescription: 128 pages : illustrations (black and white, and colour) ; 19 cmContent type: text | still image Media type: unmediated Carrier type: volumeISBN: 9781838719364 (pbk.) :Subject(s): Cléo de 5 à 7 (Motion picture) | Performing Arts | Performing ArtsDDC classification: 791.4'372 Summary: Agnes Varda's classic 1962 work depicts, in near real-time, 90 minutes in the life of Cléo, a young woman in Paris awaiting the results of medical tests that she fears will confirm a fatal condition. The film, whose visual beauty matches its evocation of early-Fifth Republic Paris, was a major point of reference for the French New Wave despite the fact that Varda never considered herself a member of the core Cahiers du cinéma group of critics-turned- film-makers. Ungar provides a close reading of the film and situates it in its social, political and cinematic contexts, tracing Varda's early career as a student of art history and as a photographer, the history of post-war French film, and the lengthy Algerian war to which Cléo's health concerns and ambitions to become a pop singer make her more or less oblivious.Item type | Current library | Home library | Shelving location | Class number | Status | Date due | Barcode | Item reservations | |
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Book | Paul Hamlyn Library | Paul Hamlyn Library | Floor 3 | 791.4372 UNG (Browse shelf(Opens below)) | Available | 06724108 |
Previous edition: Basingstoke: Palgrave Macmillan, 2008.
Includes bibliographical references.
Agnes Varda's classic 1962 work depicts, in near real-time, 90 minutes in the life of Cléo, a young woman in Paris awaiting the results of medical tests that she fears will confirm a fatal condition. The film, whose visual beauty matches its evocation of early-Fifth Republic Paris, was a major point of reference for the French New Wave despite the fact that Varda never considered herself a member of the core Cahiers du cinéma group of critics-turned- film-makers. Ungar provides a close reading of the film and situates it in its social, political and cinematic contexts, tracing Varda's early career as a student of art history and as a photographer, the history of post-war French film, and the lengthy Algerian war to which Cléo's health concerns and ambitions to become a pop singer make her more or less oblivious.
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