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Cléo de 5 à 7 / Steven Ungar.

By: Ungar, Steven, 1945- [author.]Contributor(s): British Film Institute [associated with work.]Material type: TextTextSeries: BFI film classicsPublisher: London : BFI, 2020Edition: 2nd editionDescription: 128 pages : illustrations (black and white, and colour) ; 19 cmContent type: text | still image Media type: unmediated Carrier type: volumeISBN: 9781838719364 (pbk.) :Subject(s): Cléo de 5 à 7 (Motion picture) | Performing Arts | Performing ArtsDDC classification: 791.4'372 Summary: Agnes Varda's classic 1962 work depicts, in near real-time, 90 minutes in the life of Cléo, a young woman in Paris awaiting the results of medical tests that she fears will confirm a fatal condition. The film, whose visual beauty matches its evocation of early-Fifth Republic Paris, was a major point of reference for the French New Wave despite the fact that Varda never considered herself a member of the core Cahiers du cinéma group of critics-turned- film-makers. Ungar provides a close reading of the film and situates it in its social, political and cinematic contexts, tracing Varda's early career as a student of art history and as a photographer, the history of post-war French film, and the lengthy Algerian war to which Cléo's health concerns and ambitions to become a pop singer make her more or less oblivious.
Holdings
Item type Current library Home library Shelving location Class number Status Date due Barcode Item reservations
Book Book Paul Hamlyn Library Paul Hamlyn Library Floor 3 791.4372 UNG (Browse shelf(Opens below)) Available 06724108
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Previous edition: Basingstoke: Palgrave Macmillan, 2008.

Includes bibliographical references.

Agnes Varda's classic 1962 work depicts, in near real-time, 90 minutes in the life of Cléo, a young woman in Paris awaiting the results of medical tests that she fears will confirm a fatal condition. The film, whose visual beauty matches its evocation of early-Fifth Republic Paris, was a major point of reference for the French New Wave despite the fact that Varda never considered herself a member of the core Cahiers du cinéma group of critics-turned- film-makers. Ungar provides a close reading of the film and situates it in its social, political and cinematic contexts, tracing Varda's early career as a student of art history and as a photographer, the history of post-war French film, and the lengthy Algerian war to which Cléo's health concerns and ambitions to become a pop singer make her more or less oblivious.

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