Hip hop versus rap : the politics of droppin' knowledge / Patrick Turner.
Material type: TextSeries: Routledge advances in ethnographyPublisher: London : Routledge, 2019Description: 162 pages ; 24 cmContent type: text Media type: unmediated Carrier type: volumeISBN: 9780367371128 (pbk.) :Subject(s): Hip-hop -- Social aspects -- Great Britain | Hip-hop -- Political aspects -- Great Britain | Rap (Music) -- Social aspects -- Great Britain | Rap (Music) -- Political aspects -- Great Britain | Hip-hop -- Influence | Social movements -- Great Britain | Hip-hop in art | Music | Music | Great Britain -- Race relationsDDC classification: 306.4'84249'0941 Summary: What is the real hip hop? To whom does hip hop belong? For what constructive purposes can hip hop be put to use? These are three key questions posed by hip hop activists in 'Hip Hop Versus Rap', which explores the politics of cultural authenticity, ownership, and uplift in London's post-hip hop scene. The book is an ethnographic study of the identity, role, formation, and practices of the organic intellectuals that populate and propagate this 'conscious' hip hop milieu. Turner provides an insightful examination of the work of artists and practitioners who use hip hop 'off-street' in the spheres of youth work, education, and theatre to raise consciousness and to develop artistic and personal skills.Item type | Current library | Home library | Shelving location | Class number | Status | Date due | Barcode | Item reservations | |
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Book | Paul Hamlyn Library | Paul Hamlyn Library | Floor 1 | 306.484249 TUR (Browse shelf(Opens below)) | Available | 06677932 | |||
Book | Paul Hamlyn Library | Paul Hamlyn Library | Floor 1 | 306.484249 TUR (Browse shelf(Opens below)) | Available | 06678149 |
What is the real hip hop? To whom does hip hop belong? For what constructive purposes can hip hop be put to use? These are three key questions posed by hip hop activists in 'Hip Hop Versus Rap', which explores the politics of cultural authenticity, ownership, and uplift in London's post-hip hop scene. The book is an ethnographic study of the identity, role, formation, and practices of the organic intellectuals that populate and propagate this 'conscious' hip hop milieu. Turner provides an insightful examination of the work of artists and practitioners who use hip hop 'off-street' in the spheres of youth work, education, and theatre to raise consciousness and to develop artistic and personal skills.
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