Psychocinematics : exploring cognition at the movies / edited by Arthur P. Shimamura.
Material type: TextPublisher: Oxford ; New York : Oxford University Press, c2013Description: xii, 385 p. : illContent type: text Media type: computer Carrier type: online resourceISBN: 9780199862146 (ebook)Subject(s): Motion pictures -- Psychological aspects | Motion picture audiences -- Psychology | Cognition | Performing Arts | Film history, theory & criticism | Psychology | Neurosciences | Cognition & cognitive psychologyGenre/Form: Online access: Click here to access online Also available in printed form ISBN 9780199862139Summary: How do movies engage us so thoroughly, capturing our sensations, thoughts, and emotions? This edited volume introduces psychocinematics, which brings together film theorists, philosophers, psychologists, and neuroscientists to consider the viability of a scientific approach to our movie experience. Largely through trial and error, filmmakers have developed engaging techniques that capture our sensations, thoughts, and feelings. Philosophers and film theorists have thought deeply about the nature and impact of these techniques, yet few scientists have delved into empirical analyses of our movie experience-or what Arthur P. Shimamura has coined "psychocinematics." This edited volume introduces this exciting field by bringing together film theorists, philosophers, psychologists, and neuroscientists to consider the viability of a scientific approach to our movie experience.Item type | Current library | Home library | Class number | Status | Date due | Barcode | Item reservations | |
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E-book | Electronic publication | Electronic publication | Available |
Formerly CIP. Uk
Includes bibliographical references and index.
How do movies engage us so thoroughly, capturing our sensations, thoughts, and emotions? This edited volume introduces psychocinematics, which brings together film theorists, philosophers, psychologists, and neuroscientists to consider the viability of a scientific approach to our movie experience. Largely through trial and error, filmmakers have developed engaging techniques that capture our sensations, thoughts, and feelings. Philosophers and film theorists have thought deeply about the nature and impact of these techniques, yet few scientists have delved into empirical analyses of our movie experience-or what Arthur P. Shimamura has coined "psychocinematics." This edited volume introduces this exciting field by bringing together film theorists, philosophers, psychologists, and neuroscientists to consider the viability of a scientific approach to our movie experience.
Also available in printed form ISBN 9780199862139
Electronic reproduction. Askews and Holts. Mode of access: World Wide Web.
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