Music and Time: Psychology, Philosophy, Practice -- Contents -- Figures -- Contributors -- Introduction -- Part I. Experiences -- Music Listening and the Perception of Time: The LEMI Model -- The Remembrance of Things to Be: An Approach to Memory, Repetition, and Cyclical Structures -- An Overview of the Psychology of Time Perception -- The Perceptual Present and the Philosophical Puzzle of Musical Experience -- Part II. Enactments -- Ensemble Timing in String Quartets -- Midway Ambiguities: Disorientation and Interpretation in the Performance of Long-Duration Music -- Live Coding as a Theatre of Agency and a Factory of Time -- Part III. Meanings -- Comparing Temporal Fictions in Tonality and Triadic Post-Tonalit -- 'Nothing Really Changes': Material Processes in and as Time in hearmleo�-gieddunga -- Music, Time, and Society -- Conclusion: Multiplicity, Fluidity, Fragility -- Bibliography -- Index.

How does music manifest through time and, simultaneously, how does time manifest through music?.