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The Oxford companion to American theatre / edited by Gerald Bordman and Thomas S. Hischak with a forward by Harold Prince.

By: Bordman, GeraldContributor(s): Bordman, Gerald Martin [contributor.] | Hischak, Thomas S [contributor.] | Prince, Harold [contributor.]Material type: Computer fileComputer filePublication details: Oxford : Oxford University Press, 2004Edition: 3rd editionDescription: xii, 681 pages : 27 cmISBN: 0195169867; 9780195169867Subject(s): Theater -- United States -- DictionariesDDC classification: 792.0973 In: Oxford reference onlineSummary: Now thoroughly revised, this distinguished volume once again provides an up-to-date guide to the American stage from its beginnings to the present. Completely updated by theater professor Thomas Hischak, the volume includes playwrights, plays, actors, directors, producers, songwriters, famous playhouses, dramatic movements, and much more. The book covers not only classic works (such as Death of a Salesman) but also many commercially successful plays (such as Getting Gertie's Garter), plus entries on foreign figures that have influenced our dramatic development (from Shakespeare to Beckett and Pinter). New entries include recent plays such as Angels in America and Six Degrees of Separation, performers such as Eric Bogosian and Bill Irwin, playwrights like David Henry Hwang and Wendy Wasserstein, and relevant developments and issues including AIDS in American theatre, theatrical producing by Disney, and the rise in solo performance.
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Now thoroughly revised, this distinguished volume once again provides an up-to-date guide to the American stage from its beginnings to the present.

Completely updated by theater professor Thomas Hischak, the volume includes playwrights, plays, actors, directors, producers, songwriters, famous playhouses, dramatic movements, and much more.

The book covers not only classic works (such as Death of a Salesman) but also many commercially successful plays (such as Getting Gertie's Garter), plus entries on foreign figures that have influenced our dramatic development (from Shakespeare to Beckett and Pinter). New entries include recent plays such as Angels in America and Six Degrees of Separation, performers such as Eric Bogosian and Bill Irwin, playwrights like David Henry Hwang and Wendy Wasserstein, and relevant developments and issues including AIDS in American theatre, theatrical producing by Disney, and the rise in solo performance.

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