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Spaces of diversity? : Polish music festivals in a changing society / edited by Karolina Golemo, Marta Kupis.

Contributor(s): Golemo, Karolina [editor.] | Kupis, Marta [editor.]Material type: TextTextPublisher: Krakow : Jagiellonian University Press, 2023Description: 1 online resource : 22 color photos, 2 color illustrations, 1 color mapContent type: text Media type: unmediated Carrier type: volumeISBN: 9788323374435 :Subject(s): History of art | Theory of music & musicology | Sacred & religious music | Hospitality & service industries | Popular culture | Relating to Jewish people & groupsOnline access: Open e-book
Contents:
Music Festivals, Polish Society, and Change. Introductory Remarks 7WALDEMAR KULIGOWSKIWhen the Local Community Matters: The Transformation of Polish Music Festivals 15FRANCISZEK CZECHMusic Festivals as Global Events: The Case of Major Polish Festivals 35JOANNA DZIADOWIEC-GREGANICFestum Patrimonium: Between the Festivalisation of Traditional Music Heritage and the Heritagisation of Traditional Music Festivals 53ADRIAN TYSZKIEWICZA Siesta in the City of Freedom: The Phenomenon of the Gdansk Lotos Siesta Festival 77ANNA G. PIOTROWSKAArticulating Romani Public Identity at Music Festivals: The Case of the International Days of Roma Culture in Krakow 101KAROLINA GOLEMOThe EtnoKrakow Festival: Encounters at the Crossroads of Cultures 119ELZBIETA WIACEKFrom Shtetl to Zion: 30 Years of Krakow's Jewish Culture Festival 147ANNA DUDANostalgia and Lost Authenticity: The Evolution of the International Picnic Country & Folk Festival in Mragowo into a Tourist Attraction 171MARTA KUPISFestival Agora? The Academy of the Finest Arts as a Case Study of the Festivalisation of the Public Sphere 191Index 211Index of Polish music festivals 213Map of selected music festivals in Poland 215List of Contributors 217
Summary: Music festivals offer a chance to experience musical and cultural diversity, much needed in a country which, for a long time, had been separated from much of global culture. As such, they also serve as an opportunity to appreciate the musical traditions and productions from different groups, both those originating from foreign lands, and those situated locally, often created by ethnic minorities. The relatively easy-going atmosphere of music festivals and their focus on art allow for circumstances where conflict is not very likely, thus fostering mutual appreciation among people of various walks of life. All of the essays in this volume refer to and aim to answer two fundamental questions: can music festivals serve as spaces of diversity, that is places where people can get to know other cultures and groups of people; and if so, how? Can music festivals also be a factor of socio-cultural changes?
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Music Festivals, Polish Society, and Change. Introductory Remarks 7WALDEMAR KULIGOWSKIWhen the Local Community Matters: The Transformation of Polish Music Festivals 15FRANCISZEK CZECHMusic Festivals as Global Events: The Case of Major Polish Festivals 35JOANNA DZIADOWIEC-GREGANICFestum Patrimonium: Between the Festivalisation of Traditional Music Heritage and the Heritagisation of Traditional Music Festivals 53ADRIAN TYSZKIEWICZA Siesta in the City of Freedom: The Phenomenon of the Gdansk Lotos Siesta Festival 77ANNA G. PIOTROWSKAArticulating Romani Public Identity at Music Festivals: The Case of the International Days of Roma Culture in Krakow 101KAROLINA GOLEMOThe EtnoKrakow Festival: Encounters at the Crossroads of Cultures 119ELZBIETA WIACEKFrom Shtetl to Zion: 30 Years of Krakow's Jewish Culture Festival 147ANNA DUDANostalgia and Lost Authenticity: The Evolution of the International Picnic Country & Folk Festival in Mragowo into a Tourist Attraction 171MARTA KUPISFestival Agora? The Academy of the Finest Arts as a Case Study of the Festivalisation of the Public Sphere 191Index 211Index of Polish music festivals 213Map of selected music festivals in Poland 215List of Contributors 217

Music festivals offer a chance to experience musical and cultural diversity, much needed in a country which, for a long time, had been separated from much of global culture. As such, they also serve as an opportunity to appreciate the musical traditions and productions from different groups, both those originating from foreign lands, and those situated locally, often created by ethnic minorities. The relatively easy-going atmosphere of music festivals and their focus on art allow for circumstances where conflict is not very likely, thus fostering mutual appreciation among people of various walks of life. All of the essays in this volume refer to and aim to answer two fundamental questions: can music festivals serve as spaces of diversity, that is places where people can get to know other cultures and groups of people; and if so, how? Can music festivals also be a factor of socio-cultural changes?

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