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Music and patronage / edited by Paul A. Merkley by
- Merkley, Paul A [editor]
- Crewe, Louise
- French, Shaun
- Glixon, Jonathan
- Thrift, Nigel
- Webb, Peter
- Mirelman, Sam. "New developments in the social history of music and musicians in ancient Iraq, Syria and Turkey" (2009), Yearbook for Traditional Music, 41, pp.12-22
- Trivedi, Madhu. "Tradition and transition : the performing arts in medieval North India" (1999), Medieval History Journal, 2, pp.73-110
- Fenlon, Iain. "Renaissance Novellara : musical life in the Gonzaga Hinterland" (2010), Music and Letters, 91, pp.484-97
- Rice, John A. "Joseph Haydn and Beethoven between court and nobility" (2003), in "Empress Marie Therese and Music at the Vienese Court, 1792-1807", Cambridge : Cambridge University Press, pp.230-58
- Doctor, Jenny. "The music programmes take shape, 1926-1927" (1999), in "The BBC and Ultra-modern Music, 1922-1936 : Shaping a Nation's Tastes" (2011), Cambridge : Cambridge University Press, pp.80-95
- Carroll, Mark. "'A flutter in the orchestras': the Ballets Russes and the Australian orchestral situation in the 1930s" (2011), in Mark Carroll (ed.), "The Ballets Russes in Australia and Beyond", Adelaide : Wakefield Press, pp.142-59
- Binkiewicz, Donna M. "'Let us begin' : arts policy during the Kennedy administration" (2004), in "Federalizing the muse : United States Arts Policy and the National Endowment for the Arts, 1965-1980", Chapel Hill : University of North Carolina Press, pp.34-68
- Born, Georgina. "Background : IRCAM's conditions of existence" (1995), in "Rationalizing Culture : IRCAM, Boulez, and the Institutionalization of the Musical Avant-Garde", Berkeley : University of California Press, pp.66-101
- Lam, Joseph Sui Ching. "State sacrificial music in the Ming court" (1998), in "State Sacrifices and Music in Ming China : Orthodoxy, Creativity and Expressiveness", Albany : State University of New York Press, pp.99-120
- Merkley, Paul A. "Ludovico Sforza as an 'emerging prince' : networks of musical patronage in Milan" (2012), pp.255-70
- Nelson, Steven G. "Court and religious music (1) : history of Gagaku and Shomyo" (2008), in Alison McQueen Tokita and David W. Hughes (eds.), "The Ashgate Research Companion to Japanese Music", Aldershot : Ashgate, pp.35-48
- Hennebelle, David. "Les patronages aristocratiques face au modele royal" (2009), in "De Lully a Mozart : Aristocratie, Musique et Musiciens a Paris (XVIIe-XVIIIe siecles)", Seyssel, France : Champ Vallon, pp.43-62
- Ku'uleialoha-Stillman, Amy. "Beyond bibliography : interpreting Hawaiian-language Protestant hymn imprints" (1996), Ethnomusicology, 40, pp.469-88
- Chimenes, Myriam. "Winaretta Singer, Princesse Edmond de Polignac" (2004), in "Mecenes et Musiciens : Du Salon au Concert a Paris sous la IIIe Republique", Paris : Fayard, pp.84-114
- Oja, Carol J. "Woman patrons and activists for modernist music : New York in the 1920s" (1997), Modernism/Modernity, 4, pp.129-55
- Kmetz, John. "Blowing your horn in the new economy, ca.1550" (2005), in Keith Polk (ed.), "Tielman Susato and the Music of His Time : Print Culture, Compositional Technique and Instrumental Music in the Renaissance", Hillsdale, NY : Pendragon Press, pp.133-41
- Glixon, Beth L. "The composition and the production of the opera score" (2006), in "Inventing the Business of Opera : the Impresario and His World in Seventeenth-Century Venice" / [with] Jonathan E. Glixon, Oxford : Oxford University Press, pp140-72
- Woodfield, Ian. "The country visit" (2003), in "Salomon and the Burneys : Private Patronage and a Public Career", Aldershot : Ashgate, pp.22-32
- Goldmark, Daniel. "Creating desire on Tin Pan Alley" (2007), Musical Quarterly, 90, pp.197-229
- Barnett, Kyle S. "The Selznick studio, 'Spellbound'' and the marketing of film music" (2010), Music, Sound, and the Moving Image, 4, pp.77-98
- Foreman, Kelly M. "Entertainer vs artist : patronage and the negotiation of identity" (2008), in "The Gei of Geisha : Music, Identity and Meaning", Aldershot : Ashgate, pp.87-106
- Leyshon, Andrew. "On the reproduction of the musical economy after the internet" (2005) [with] Peter Webb, Shaun French, Nigel Thrift and Louise Crewe, Media, Culture and Society, 27, pp.177-209
- Strachan, Robert. "Micro-independent record labels in the UK : discourse, DIY cultural production and the music industry" (2007), European Journal of Cultural Studies, 10, pp.245-65
Series: Library of essays on music, politics and society
Material type:  Text; Literary form:
Not fiction
Language: English
Publication details: Farnham : Ashgate Publishing Limited, c2012
Availability: Items available for loan: Paul Hamlyn Library (1)Location, call number: Floor 3 780.79 MUS.
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