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The digital evolution of live music / Angela Cresswell Jones, Rebecca Jane Bennett.

By: Jones, Angela Cresswell [author.]Contributor(s): Bennett, Rebecca Jane [author.]Material type: TextTextPublisher: Oxford : Chandos Publishing, 2015Description: 1 volumeContent type: text Media type: computer Carrier type: online resourceISBN: 9780081000700 (ebook)Subject(s): Music -- Performance -- Technological innovations | Live sound recordings -- Technological innovations | Music | Music | Music recording & reproduction | Library & information sciences / Museology | Media studies | Enterprise software | Operational researchGenre/Form: Additional physical formats: ebook version:: No titleOnline access: Click here to access online Also available in printed form ISBN 9780081000670Summary: The concept of `live' has changed as a consequence of mediated culture. Interaction may occur in real time, but not necessarily in shared physical spaces with others. The Digital Evolution of Live Music considers notions of live music in time and space as influenced by digital technology. This book presents the argument that live music is a special case in digital experience due to its liminal status between mind and body, words and feelings, sight and sound, virtual and real. Digital live music occupies a multimodal role in a cultural contextual landscape shaped by technological innovation. The book consists of three sections. The first section looks at fan perspectives, digital technology and the jouissance of live music and music festival fans. The second section discusses music in popular culture, exploring YouTube and live music video culture and gaming soundtracks, followed by the concluding section which investigates the future of live music and digital culture.
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Formerly CIP. Uk

The concept of `live' has changed as a consequence of mediated culture. Interaction may occur in real time, but not necessarily in shared physical spaces with others. The Digital Evolution of Live Music considers notions of live music in time and space as influenced by digital technology. This book presents the argument that live music is a special case in digital experience due to its liminal status between mind and body, words and feelings, sight and sound, virtual and real. Digital live music occupies a multimodal role in a cultural contextual landscape shaped by technological innovation. The book consists of three sections. The first section looks at fan perspectives, digital technology and the jouissance of live music and music festival fans. The second section discusses music in popular culture, exploring YouTube and live music video culture and gaming soundtracks, followed by the concluding section which investigates the future of live music and digital culture.

Also available in printed form ISBN 9780081000670

Electronic reproduction. Askews and Holts. Mode of access: World Wide Web.

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