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		Jazz/not jazz : the music and its boundaries / edited by David Ake, Charles Hiroshi Garrett, Daniel Goldmark. by Ake, David Andrew, 1961- Garrett, Charles Hiroshi, 1966- Goldmark, Daniel Material type: Text; Format: print ; Literary form: Not fiction Publication details: Berkeley, Calif. ; London : University of California Press, 2012 Availability: Items available for loan: Paul Hamlyn Library (1)Location, call number: Floor 3 781.65 JAZ. Place reservation
		Music and patronage / edited by Paul A. Merkley by Merkley, Paul A [editor] Crewe, Louise French, Shaun Glixon, Jonathan Thrift, Nigel Webb, Peter Mirelman, Sam. "New developments in the social history of music and musicians in ancient Iraq, Syria and Turkey" (2009), Yearbook for Traditional Music, 41, pp.12-22 Trivedi, Madhu. "Tradition and transition : the performing arts in medieval North India" (1999), Medieval History Journal, 2, pp.73-110 Fenlon, Iain. "Renaissance Novellara : musical life in the Gonzaga Hinterland" (2010), Music and Letters, 91, pp.484-97 Rice, John A. "Joseph Haydn and Beethoven between court and nobility" (2003), in "Empress Marie Therese and Music at the Vienese Court, 1792-1807", Cambridge : Cambridge University Press, pp.230-58 Doctor, Jenny. "The music programmes take shape, 1926-1927" (1999), in "The BBC and Ultra-modern Music, 1922-1936 : Shaping a Nation's Tastes" (2011), Cambridge : Cambridge University Press, pp.80-95 Carroll, Mark. "'A flutter in the orchestras': the Ballets Russes and the Australian orchestral situation in the 1930s" (2011), in Mark Carroll (ed.), "The Ballets Russes in Australia and Beyond", Adelaide : Wakefield Press, pp.142-59 Binkiewicz, Donna M. "'Let us begin' : arts policy during the Kennedy administration" (2004), in "Federalizing the muse : United States Arts Policy and the National Endowment for the Arts, 1965-1980", Chapel Hill : University of North Carolina Press, pp.34-68 Born, Georgina. "Background : IRCAM's conditions of existence" (1995), in "Rationalizing Culture : IRCAM, Boulez, and the Institutionalization of the Musical Avant-Garde", Berkeley : University of California Press, pp.66-101 Lam, Joseph Sui Ching. "State sacrificial music in the Ming court" (1998), in "State Sacrifices and Music in Ming China : Orthodoxy, Creativity and Expressiveness", Albany : State University of New York Press, pp.99-120 Merkley, Paul A. "Ludovico Sforza as an 'emerging prince' : networks of musical patronage in Milan" (2012), pp.255-70 Nelson, Steven G. "Court and religious music (1) : history of Gagaku and Shomyo" (2008), in Alison McQueen Tokita and David W. Hughes (eds.), "The Ashgate Research Companion to Japanese Music", Aldershot : Ashgate, pp.35-48 Hennebelle, David. "Les patronages aristocratiques face au modele royal" (2009), in "De Lully a Mozart : Aristocratie, Musique et Musiciens a Paris (XVIIe-XVIIIe siecles)", Seyssel, France : Champ Vallon, pp.43-62 Ku'uleialoha-Stillman, Amy. "Beyond bibliography : interpreting Hawaiian-language Protestant hymn imprints" (1996), Ethnomusicology, 40, pp.469-88 Chimenes, Myriam. "Winaretta Singer, Princesse Edmond de Polignac" (2004), in "Mecenes et Musiciens : Du Salon au Concert a Paris sous la IIIe Republique", Paris : Fayard, pp.84-114 Oja, Carol J. "Woman patrons and activists for modernist music : New York in the 1920s" (1997), Modernism/Modernity, 4, pp.129-55 Kmetz, John. "Blowing your horn in the new economy, ca.1550" (2005), in Keith Polk (ed.), "Tielman Susato and the Music of His Time : Print Culture, Compositional Technique and Instrumental Music in the Renaissance", Hillsdale, NY : Pendragon Press, pp.133-41 Glixon, Beth L. "The composition and the production of the opera score" (2006), in "Inventing the Business of Opera : the Impresario and His World in Seventeenth-Century Venice" / [with] Jonathan E. Glixon, Oxford : Oxford University Press, pp140-72 Woodfield, Ian. "The country visit" (2003), in "Salomon and the Burneys : Private Patronage and a Public Career", Aldershot : Ashgate, pp.22-32 Goldmark, Daniel. "Creating desire on Tin Pan Alley" (2007), Musical Quarterly, 90, pp.197-229 Barnett, Kyle S. "The Selznick studio, 'Spellbound'' and the marketing of film music" (2010), Music, Sound, and the Moving Image, 4, pp.77-98 Foreman, Kelly M. "Entertainer vs artist : patronage and the negotiation of identity" (2008), in "The Gei of Geisha : Music, Identity and Meaning", Aldershot : Ashgate, pp.87-106 Leyshon, Andrew. "On the reproduction of the musical economy after the internet" (2005) [with] Peter Webb, Shaun French, Nigel Thrift and Louise Crewe, Media, Culture and Society, 27, pp.177-209 Strachan, Robert. "Micro-independent record labels in the UK : discourse, DIY cultural production and the music industry" (2007), European Journal of Cultural Studies, 10, pp.245-65 Series: Library of essays on music, politics and society Material type: Text; Literary form: Not fiction Language: English Publication details: Farnham : Ashgate Publishing Limited, c2012 Availability: Items available for loan: Paul Hamlyn Library (1)Location, call number: Floor 3 780.79 MUS. Place reservation