Listening and understanding : the language of music and how to interpret it / Constantin Floros ; translated by Ernest Bernhardt-Kabisch.
Material type: TextLanguage: English Original language: German Publisher: Frankfurt am Main ; New York : Peter Lang, 2017Copyright date: ©2017Description: 253 pages : music ; 22 cmContent type: text | notated music Media type: unmediated Carrier type: volumeISBN: 9783631720486Uniform titles: Hören und verstehen. English Subject(s): Music -- 19th century -- History and criticism | Music -- 20th century -- History and criticism | Music appreciationDDC classification: 780.9/034 LOC classification: ML196 | .F5913 2017
Contents:
Listening not merely an "inner vision" Prerequisites for active listening Historical aspects Dimensions of the musical Ravel's Bolâero and Messiaen's Chronochromie "My language is understood all over the world" the linguistic aspect of music Stirring and calming music Emotional listening Exemplary analyses Psychological categories Symphony Chamber music Opera and music drama Program music Ballet music Impressionist music Spatial listening Sacred music Epilogue: on silence an essay in cultural criticism.
Item type | Current library | Home library | Shelving location | Class number | Status | Date due | Barcode | Item reservations | |
---|---|---|---|---|---|---|---|---|---|
Book | Paul Hamlyn Library | Paul Hamlyn Library | Floor 3 | 780.9034 FLO (Browse shelf(Opens below)) | Available | 06507913 |
Total reservations: 0
Includes bibliographical references (pages 229-242) and index.
Listening not merely an "inner vision" Prerequisites for active listening Historical aspects Dimensions of the musical Ravel's Bolâero and Messiaen's Chronochromie "My language is understood all over the world" the linguistic aspect of music Stirring and calming music Emotional listening Exemplary analyses Psychological categories Symphony Chamber music Opera and music drama Program music Ballet music Impressionist music Spatial listening Sacred music Epilogue: on silence an essay in cultural criticism.
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