Collective participation and audience engagement in rap music / David Diallo.
Material type: TextSeries: Pop music, culture and identityPublisher: Basingstoke : Palgrave Macmillan, 2019Description: 150 pages : illustrations (black and white) ; 21 cmContent type: text | still image Media type: unmediated Carrier type: volumeISBN: 9783030253769 (hbk.) :Subject(s): Rap (Music) -- History and criticism | Rap (Music) -- Analysis, appreciation | Rap (Music) -- Social aspects | Music | MusicDDC classification: 782.4'21649 Summary: Why do rap MCs present their studio recorded lyrics as 'live and direct'? Why do they so insistently define abilities or actions, theirs or someone else's, against a pre-existing signifier? This text examines the compositional practice of rap lyricists and offers compelling answers to these questions. Through a 40 year-span analysis of the music, it argues that whether through the privileging of chanted call-and-response phrases or through rhetorical strategies meant to assist in getting one's listening audience open, the focus of the first rap MCs on community building and successful performer-audience cooperation has remained prevalent on rap records with lyrics and production techniques encouraging the listener to become physically and emotionally involved in recorded performances.Item type | Current library | Home library | Shelving location | Class number | Status | Date due | Barcode | Item reservations | |
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Book | Paul Hamlyn Library | Paul Hamlyn Library | Floor 3 | 782.421649 DIA (Browse shelf(Opens below)) | Available | 06615627 |
Why do rap MCs present their studio recorded lyrics as 'live and direct'? Why do they so insistently define abilities or actions, theirs or someone else's, against a pre-existing signifier? This text examines the compositional practice of rap lyricists and offers compelling answers to these questions. Through a 40 year-span analysis of the music, it argues that whether through the privileging of chanted call-and-response phrases or through rhetorical strategies meant to assist in getting one's listening audience open, the focus of the first rap MCs on community building and successful performer-audience cooperation has remained prevalent on rap records with lyrics and production techniques encouraging the listener to become physically and emotionally involved in recorded performances.
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