Music and patronage / edited by Paul A. Merkley
Material type:
TextLanguage: English Series: Library of essays on music, politics and societyPublication details: Farnham : Ashgate Publishing Limited, c2012Description: xxvii, 597p : ill., maps ; 25cmISBN: 9781409431060Contained works: Mirelman, Sam. "New developments in the social history of music and musicians in ancient Iraq, Syria and Turkey" (2009), Yearbook for Traditional Music, 41, pp.12-22 | Trivedi, Madhu. "Tradition and transition : the performing arts in medieval North India" (1999), Medieval History Journal, 2, pp.73-110 | Fenlon, Iain, "Renaissance Novellara : musical life in the Gonzaga Hinterland" (2010), Music and Letters, 91, pp.484-97 | Rice, John A. "Joseph Haydn and Beethoven between court and nobility" (2003), in "Empress Marie Therese and Music at the Vienese Court, 1792-1807", Cambridge : Cambridge University Press, pp.230-58 | Doctor, Jenny. "The music programmes take shape, 1926-1927" (1999), in "The BBC and Ultra-modern Music, 1922-1936 : Shaping a Nation's Tastes" (2011), Cambridge : Cambridge University Press, pp.80-95 | Carroll, Mark. "'A flutter in the orchestras': the Ballets Russes and the Australian orchestral situation in the 1930s" (2011), in Mark Carroll (ed.), "The Ballets Russes in Australia and Beyond", Adelaide : Wakefield Press, pp.142-59 | Binkiewicz, Donna M. "'Let us begin' : arts policy during the Kennedy administration" (2004), in "Federalizing the muse : United States Arts Policy and the National Endowment for the Arts, 1965-1980", Chapel Hill : University of North Carolina Press, pp.34-68 | Born, Georgina, "Background : IRCAM's conditions of existence" (1995), in "Rationalizing Culture : IRCAM, Boulez, and the Institutionalization of the Musical Avant-Garde", Berkeley : University of California Press, pp.66-101 | Lam, Joseph Sui Ching. "State sacrificial music in the Ming court" (1998), in "State Sacrifices and Music in Ming China : Orthodoxy, Creativity and Expressiveness", Albany : State University of New York Press, pp.99-120 | Merkley, Paul A. "Ludovico Sforza as an 'emerging prince' : networks of musical patronage in Milan" (2012), pp.255-70 | Nelson, Steven G. "Court and religious music (1) : history of Gagaku and Shomyo" (2008), in Alison McQueen Tokita and David W. Hughes (eds.), "The Ashgate Research Companion to Japanese Music", Aldershot : Ashgate, pp.35-48 | Hennebelle, David. "Les patronages aristocratiques face au modele royal" (2009), in "De Lully a Mozart : Aristocratie, Musique et Musiciens a Paris (XVIIe-XVIIIe siecles)", Seyssel, France : Champ Vallon, pp.43-62 | Ku'uleialoha-Stillman, Amy. "Beyond bibliography : interpreting Hawaiian-language Protestant hymn imprints" (1996), Ethnomusicology, 40, pp.469-88 | Chimenes, Myriam, "Winaretta Singer, Princesse Edmond de Polignac" (2004), in "Mecenes et Musiciens : Du Salon au Concert a Paris sous la IIIe Republique", Paris : Fayard, pp.84-114 | Oja, Carol J. "Woman patrons and activists for modernist music : New York in the 1920s" (1997), Modernism/Modernity, 4, pp.129-55 | Kmetz, John. "Blowing your horn in the new economy, ca.1550" (2005), in Keith Polk (ed.), "Tielman Susato and the Music of His Time : Print Culture, Compositional Technique and Instrumental Music in the Renaissance", Hillsdale, NY : Pendragon Press, pp.133-41 | Glixon, Beth L. "The composition and the production of the opera score" (2006), in "Inventing the Business of Opera : the Impresario and His World in Seventeenth-Century Venice" / [with] Jonathan E. Glixon, Oxford : Oxford University Press, pp140-72 | Woodfield, Ian. "The country visit" (2003), in "Salomon and the Burneys : Private Patronage and a Public Career", Aldershot : Ashgate, pp.22-32 | Goldmark, Daniel. "Creating desire on Tin Pan Alley" (2007), Musical Quarterly, 90, pp.197-229 | Barnett, Kyle S. "The Selznick studio, 'Spellbound'' and the marketing of film music" (2010), Music, Sound, and the Moving Image, 4, pp.77-98 | Foreman, Kelly M. "Entertainer vs artist : patronage and the negotiation of identity" (2008), in "The Gei of Geisha : Music, Identity and Meaning", Aldershot : Ashgate, pp.87-106 | Leyshon, Andrew. "On the reproduction of the musical economy after the internet" (2005) [with] Peter Webb, Shaun French, Nigel Thrift and Louise Crewe, Media, Culture and Society, 27, pp.177-209 | Strachan, Robert. "Micro-independent record labels in the UK : discourse, DIY cultural production and the music industry" (2007), European Journal of Cultural Studies, 10, pp.245-65Subject(s): Patronage - Music | Music - History and criticism - Essays
Contents:
Part I. The state -- Part two. Court and aristocracy -- Part three. Economic forces
| Item type | Current library | Home library | Shelving location | Class number | Status | Date due | Barcode | Item reservations | |
|---|---|---|---|---|---|---|---|---|---|
Book
|
Paul Hamlyn Library | Paul Hamlyn Library | Floor 3 | 780.79 MUS (Browse shelf(Opens below)) | Available | 0710491X |
Total reservations: 0
Part I. The state -- Part two. Court and aristocracy -- Part three. Economic forces
Twenty-one chapters in English ; two chapters in French
There are no comments on this title.
Log in to your account to post a comment.