TY  - BOOK
AU  - Kendrick,Lynne
TI  - Theatre aurality
SN  - 9781137452337 (e-book)
PY  - 2017///
PY  - 2017///]
CY  - London
PB  - Palgrave Macmillan
KW  - Theaters
KW  - Sound effects
KW  - Performing Arts
KW  - ukslc
KW  - Theatre studies
KW  - thema
KW  - lcsh
N1  - Includes bibliographical references and index; Also available in printed form ISBN 9781137452320; Electronic reproduction; Askews and Holts; Mode of access: World Wide Web
N2  - Subsequent chapters explore the emergence of aurally engaged theatre practice and focus on examples of contemporary sound in and as theatre, including theatre in the dark, headphone theatre and immersive theatre, amongst others, through theories of perception and philosophies of listening, vocality, sonority and noise; This book explores the critical field of theatre sound and the sonic phenomena of theatre. It draws together a wide range of related topics, including sound design and sonic sonographies, voice as a performance of sound, listening as auditory performance, and audience as resonance. It explores radical forms of sonic performance and our engagement in it, from the creation of sonic subjectivities to noise as a politics of sound. The introductory chapters trace the innate aurality of theatre and the history of sound effects and design, while also interrogating why the art of theatre sound was delayed and underrepresented in philosophy as well as theatre and performance theory. Subsequent chapters explore the emergence of aurally engaged theatre practice and focus on examples of contemporary sound in and as theatre, including theatre in the dark, headphone theatre and immersive theatre, amongst others, through theories of perception and philosophies of listening, vocality, sonority and noise
UR  - https://www.vlebooks.com/vleweb/product/openreader?id=WestLondon&isbn=9781137452337
ER  -