Creative Practice Research in the Age of Neoliberal Hopelessness.
- 1 online resource (346 pages)
Intro Title page Copyright Contents Figures Notes on Contributors Acknowledgements PREFACE: LIFE IN THE POST PANDEMIC AGE 1. Introduction: COMPLEXITIES, Compromises and Complicities 2. Against the Grain: Women Film Practitioners and Theorists Talk Creative Practice and Theory 3. Married to the Eiffel Tower: Notes on Love, Loss and Knowledge 4. Creativity and Neoliberalism: Between Autonomy, Resistance and Tactical Compliance 5. Tactical Compliance and the Persistence of Elsaesser 6. Storytelling and Game Playing 7. Autonomy and the Other Woman: Queer Active Agency and Postcolonial Expectations 8. From Neolithic to Neoliberal 9. First-Person Expression on 'Non-Western' Screens: China As a Case Study 10. Scholarly Exploration of the Creative Process: Integrating Film Theory and Practice 11. Teaching Practice As Theory: Guerrilla Filmmaking 12. Baits of Falsehood: The Role of Fiction in Documentary or From Untheorised Practice to Unpractised Theory 13. Repented: A Creative Intersemiotic Translation NOTES ON AGNIESZKA PIOTROWSKA'S REPENTED 14. How Do You See Me? The Camera as Transitional Object in Diasporic, Domestic Ethnography 15. 'Shut Your Hole, Girlie. Mine's Making Money, Doll': Creative Practice-Research and the Problem of Professionalism 16. Feminist 'Pensive-Creative Praxis' and Irigaray: A Porous, Dialogical Encounter 17. The Paths of Creation, or How Can I Help My Dybbouk to Get Out of Me? 18. 'We Want to Kill Boko Haram': Reflections on the Photographic Representation of Children in a Displacement Camp 19. Between 'Counter-Movement' (Ingold) and 'Living with Ghosts' (Demos) 20. Screen Memories: A Video Essay on Smultronstället/Wild Strawberries index.
Addresses the very notion of what creative practice research is, its challenges within the academy and the ways in which it contributes to scholarship and knowledge.