TY - BOOK AU - Cheyne,Peter AU - Hamilton,Andy AU - Paddison,Max TI - The philosophy of rhythm: aesthetics, music, poetics SN - 9780199347797 (ebook) PY - 2019/// PY - 2019///] CY - New York, NY PB - Oxford University Press KW - Musical meter and rhythm KW - Music KW - Philosophy and aesthetics KW - Musical perception KW - ukslc KW - thema KW - Theory of music & musicology KW - Philosophy: aesthetics KW - Popular music KW - lcsh N1 - Includes bibliographical references and index; Also available in printed form ISBN 9780199347780; Electronic reproduction; Askews and Holts; Mode of access: World Wide Web N2 - With original essays by philosophers, psychologists, musicians, literary critics, and ethno-musicologists, 'The Philosophy of Rhythm' offers a broad perspective on rhythm - the fundamental pulse that animates music, dance, and poetry across all cultures; Rhythm is the fundamental pulse that animates poetry, music, and dance across all cultures. And yet the recent explosion of scholarly interest across disciplines in the aural dimensions of aesthetic experience-particularly in sociology, cultural and media theory, and literary studies-has yet to explore this fundamental category. This book furthers the discussion of rhythm beyond the discrete conceptual domains and technical vocabularies of musicology and prosody. With original essays by philosophers, psychologists, musicians, literary theorists, and ethno-musicologists, The Philosophy of Rhythm opens up wider-and plural-perspectives, examining formal affinities between the historically interconnected fields of music, dance, and poetry, while addressing key concepts such as embodiment, movement, pulse, and performance. Volume editors Peter Cheyne, Andy Hamilton, and Max Paddison bring together a range of key questions: What is the distinction between rhythm and pulse? What is the relationship between everyday embodied experience, and the specific experience of music, dance, and poetry? Can aesthetics offer an understanding of rhythm that helps inform our responses to visual and other arts, as well as music, dance, and poetry? And, what is the relation between psychological conceptions of entrainment, and the humane concept of rhythm and meter? Overall, The Philosophy of Rhythm appeals across disciplinary boundaries, providing a unique overview of a neglected aspect of aesthetic experience UR - http://www.vlebooks.com/vleweb/product/openreader?id=WestLondon&isbn=9780199347797 ER -