Image from Google Jackets

Gimnopedia Rapsodica : processional dance, memories, echos, rhapsodic gestures, and an immaterial voice / Simone Spagnolo.

By: Spagnolo, Simone [composer.]Material type: ScoreScorePublication details: Universal Edition. Summary: Originally commissioned by the ensemble Les Muses de la Musique to complement a concert featuring Debussy's Chansons de Bilitis, Gimnopedia Rapsodica is scored for a wonderful and peculiar ensemble of piccolo, flute, two harps, celesta, and speaking voice. Through a processional and sober pace, this composition wishes to evoke the ancient Greek dance of the gymnopedie. At the same time, its almost ceremonial composure is permeated by rhapsodic gestures, melodic echos and musical memories. Towards the end of the piece, almost like an immaterial thought, a distant, off-stage speaking voice contributes with verses drawn from Paul Valery's Dance and the Soul. This piece can greatly complement a concert programme featuring fin-de-siècle, impressionist music, as well as contemporary works using unusual instrumental combinations. Instrumentation details: flute piccolo celesta harp 1st harp
Holdings
Item type Current library Home library Shelving location Class number Status Date due Barcode Item reservations
Score Score Paul Hamlyn Library Paul Hamlyn Library Floor 1 Mobile shelves 782 SPA (Browse shelf(Opens below)) Available 06884954
Score Score Paul Hamlyn Library Paul Hamlyn Library Floor 1 Mobile shelves 782 SPA (Browse shelf(Opens below)) Available 06885055
Total reservations: 0

Originally commissioned by the ensemble Les Muses de la Musique to complement a concert featuring Debussy's Chansons de Bilitis, Gimnopedia Rapsodica is scored for a wonderful and peculiar ensemble of piccolo, flute, two harps, celesta, and speaking voice.

Through a processional and sober pace, this composition wishes to evoke the ancient Greek dance of the gymnopedie. At the same time, its almost ceremonial composure is permeated by rhapsodic gestures, melodic echos and musical memories. Towards the end of the piece, almost like an immaterial thought, a distant, off-stage speaking voice contributes with verses drawn from Paul Valery's Dance and the Soul.

This piece can greatly complement a concert programme featuring fin-de-siècle, impressionist music, as well as contemporary works using unusual instrumental combinations.

Instrumentation details:
flute
piccolo
celesta
harp
1st harp

There are no comments on this title.

to post a comment.