Feeling seen : the photographs of Campbell Addy / edited by Anna Godfrey.
Material type: TextPublisher: New York : Prestel, [2022]Copyright date: ©2022Description: 190 pages : portraits ; 31 cmContent type: text | still image Media type: unmediated Carrier type: volumeISBN: 9783791388465; 3791388460Subject(s): Addy, Campbell | Portrait photography | Photographers, Black -- England | Photography, Artistic | Photographers, Black | Photography, Artistic | Portrait photography | EnglandGenre/Form: Illustrated works. | Illustrated works.DDC classification: 779.2 LOC classification: TR647 | .A3555 2022Summary: "From major portraits of the likes of Kendall Jenner, FKA Twigs, and Tyler, the Creator to cover shoots for leading magazines such as Time, Rolling Stone, and Garage, Campbell Addy has quickly become one of the most in-demand photographers of his generation. The book opens with a foreword by British Vogue's editor-in-chief, Edward Enninful, discussing the powerful intersection of photography, race, beauty, and representation. This is followed by a broad selection of Addy's striking photographs, which range from prominent fashion and magazine commissions to candid portraiture. Featuring recognizable cover shots alongside unpublished outtakes and unseen photography, viewers are afforded insight into Addy's creative process on set. Quotes from leading Black figures including Naomi Campbell and Nadine Ijewere are woven between Addy's striking imagery, in which these trailblazing Black creatives reflect on the first time they felt seen in their industry. The book closes with a deeper exploration of Addy's more personal imagery and influences, paying tribute to the heritage of Black photographers through the work of Ajamu and James Barnor. In conversation with curator and writer Ekow Eshun, Addy balances his own experiences as a queer, Black photographer who left his Jehovah's Witness family home at sixteen with broader questions of identity, intimacy, and art which face many creatives today. Charged with energy, compassion and authenticity, this inaugural monograph signals a major talent whose influence and stature will only grow with time." -- Provided by publisher.Item type | Current library | Home library | Shelving location | Class number | Status | Date due | Barcode | Item reservations | |
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Book | Paul Hamlyn Library | Paul Hamlyn Library | Floor 3 | 779.092 ADD (Browse shelf(Opens below)) | Available | 0686774X |
Browsing Paul Hamlyn Library shelves, Shelving location: Floor 3 Close shelf browser (Hides shelf browser)
779 OBA Lagos / | 779 OEI OEI #102-103 : photography on edge / | 779.0292 ASW As we rise : photography from the Black Atlantic / | 779.092 ADD Feeling seen : the photographs of Campbell Addy / | 779.092 DAI Daido Moriyama : a retrospective / | 779.092 DAI Daido Moriyama : a retrospective / | 779.092 DAI Daido Moriyama : a retrospective / |
"From major portraits of the likes of Kendall Jenner, FKA Twigs, and Tyler, the Creator to cover shoots for leading magazines such as Time, Rolling Stone, and Garage, Campbell Addy has quickly become one of the most in-demand photographers of his generation. The book opens with a foreword by British Vogue's editor-in-chief, Edward Enninful, discussing the powerful intersection of photography, race, beauty, and representation. This is followed by a broad selection of Addy's striking photographs, which range from prominent fashion and magazine commissions to candid portraiture. Featuring recognizable cover shots alongside unpublished outtakes and unseen photography, viewers are afforded insight into Addy's creative process on set. Quotes from leading Black figures including Naomi Campbell and Nadine Ijewere are woven between Addy's striking imagery, in which these trailblazing Black creatives reflect on the first time they felt seen in their industry. The book closes with a deeper exploration of Addy's more personal imagery and influences, paying tribute to the heritage of Black photographers through the work of Ajamu and James Barnor. In conversation with curator and writer Ekow Eshun, Addy balances his own experiences as a queer, Black photographer who left his Jehovah's Witness family home at sixteen with broader questions of identity, intimacy, and art which face many creatives today. Charged with energy, compassion and authenticity, this inaugural monograph signals a major talent whose influence and stature will only grow with time." -- Provided by publisher.
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