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German film & literature : adaptations and transformations / edited by Eric Rentschler.

Contributor(s): Rentschler, EricMaterial type: TextTextPublication details: New York ; London : Methuen, 1986Description: x,385p : ill., ports. ; 23 cmISBN: 0416603319; 0416603416 (pbk.) :Subject(s): Motion pictures -- Germany -- History | German literature -- Film and video adaptations | German literature Adaptations, German cinema films to 1980DDC classification: 791.43/0943 LOC classification: PN1993.5.G3
Contents:
Introduction : theoretical and historical considerations / Eric Rentschler The first German art film : Rye's The Student of Prague (1913) / Heide Schlüpmann Dracula in the twilight : Murnau's Nosferatu (1922) / Judith Mayne Lulu and the meter man : Pabst's Pandora's Box (1929) / Thomas Elsaesser Between two worlds : von Sternberg's The Blue Angel (1930) / Gertrud Koch Reading Ophüls reading Schnitzler : Liebelei (1933) / Alan Williams Kleist in the Third Reich : Ucicky's The Broken Jug (1937) / Marc Silberman How Nazi cinema mobilizes the classics : Schweikart's Das Fräulein von Barnhelm (1940) / Karsten Witte The other Germany in Zinnemann's The Seventh Cross (1944) ; Postwar traumas in Klaren's Wozzeck (1947) / Jan-Christopher Horak Semper fidelis : Staudte's The Subject (1951) / Marc Silberman A return to arms : Käutner's The Captain of Köpenick (1956) / Russell A. Berman Specularity and spectacle in Schlöndorff's Young Törless (1966) / Eric Rentschler Space of history, language of time : Kluge's Yesterday Girl (1966) / Miriam Hansen The invalidation of Arnim : Herzog's Signs of Life (1968) / Brigitte Peucker Textuality and theatricality in Brecht and Straub/Huillet : History Lessons (1972) / Maureen Turim A recast Goethe : Günther's Lotte in Weimar (1975) / Dennis F. Mahoney The tension of translation : Handke's The left-handed woman (1977) / Timothy Corrigan History, fiction, memory : Fassbinder's The Marriage of Maria Braun (1979) / Anton Kaes The search for the mother/land in Sanders-Brahms's Germany, pale mother (1980) / E. Ann Kaplan Terms of dismemberment : the body in/and/of Fassbinder's Berlin Alexanderplatz (1980) / Eric Rentschler.
Holdings
Item type Current library Home library Shelving location Class number Status Date due Barcode Item reservations
Book Book Paul Hamlyn Library Paul Hamlyn Library Floor 3 791.4301543 GER (Browse shelf(Opens below)) Available 01561685
Total reservations: 0

Bibliography: p.366-378. - Includes index.

Introduction : theoretical and historical considerations / Eric Rentschler The first German art film : Rye's The Student of Prague (1913) / Heide Schlüpmann Dracula in the twilight : Murnau's Nosferatu (1922) / Judith Mayne Lulu and the meter man : Pabst's Pandora's Box (1929) / Thomas Elsaesser Between two worlds : von Sternberg's The Blue Angel (1930) / Gertrud Koch Reading Ophüls reading Schnitzler : Liebelei (1933) / Alan Williams Kleist in the Third Reich : Ucicky's The Broken Jug (1937) / Marc Silberman How Nazi cinema mobilizes the classics : Schweikart's Das Fräulein von Barnhelm (1940) / Karsten Witte The other Germany in Zinnemann's The Seventh Cross (1944) ; Postwar traumas in Klaren's Wozzeck (1947) / Jan-Christopher Horak Semper fidelis : Staudte's The Subject (1951) / Marc Silberman A return to arms : Käutner's The Captain of Köpenick (1956) / Russell A. Berman Specularity and spectacle in Schlöndorff's Young Törless (1966) / Eric Rentschler Space of history, language of time : Kluge's Yesterday Girl (1966) / Miriam Hansen The invalidation of Arnim : Herzog's Signs of Life (1968) / Brigitte Peucker Textuality and theatricality in Brecht and Straub/Huillet : History Lessons (1972) / Maureen Turim A recast Goethe : Günther's Lotte in Weimar (1975) / Dennis F. Mahoney The tension of translation : Handke's The left-handed woman (1977) / Timothy Corrigan History, fiction, memory : Fassbinder's The Marriage of Maria Braun (1979) / Anton Kaes The search for the mother/land in Sanders-Brahms's Germany, pale mother (1980) / E. Ann Kaplan Terms of dismemberment : the body in/and/of Fassbinder's Berlin Alexanderplatz (1980) / Eric Rentschler.

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