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She's at the controls : sound engineering, production and gender ventriloquism in the 21st century / Helen Reddington.

By: Reddington, Helen [author.]Material type: TextTextPublisher: Sheffield : Equinox Publishing, 2021Description: 224 pages ; 24 cmContent type: text Media type: unmediated Carrier type: volumeISBN: 9781781796511 (pbk.) :Subject(s): Women in the music trade -- Great Britain | Sound recordings -- Production and direction -- Social aspects -- Great Britain | Popular music -- Production and direction -- Social aspects -- Great Britain | Women sound recording executives and producers -- Great Britain -- Interviews | Women sound engineers -- Great Britain -- Interviews | Technology | TechnologyDDC classification: 621.3'893'082 Summary: 'She's at the Controls' gives a socio-historical examination of the roles of women studio professionals in the UK music industry based on interviews conducted over six years with 30 female studio practitioners at different stages of their careers and working in different genres of popular music including reggae, hip hop and pop. The edited interviews are preceded by an in-depth exploration of the often unseen and unacknowledged gender rules of music industry practice (both personal and technical) that underpin popular music etiquette.
Holdings
Item type Current library Home library Shelving location Class number Status Date due Barcode Item reservations
Book Book Paul Hamlyn Library Paul Hamlyn Library Floor 2 621.3893082 RED (Browse shelf(Opens below)) Available 06790712
Book Book Paul Hamlyn Library Paul Hamlyn Library Floor 2 621.3893082 RED (Browse shelf(Opens below)) Available 06790720
Book Book Paul Hamlyn Library Paul Hamlyn Library Floor 2 621.3893082 RED (Browse shelf(Opens below)) Available 06790739
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'She's at the Controls' gives a socio-historical examination of the roles of women studio professionals in the UK music industry based on interviews conducted over six years with 30 female studio practitioners at different stages of their careers and working in different genres of popular music including reggae, hip hop and pop. The edited interviews are preceded by an in-depth exploration of the often unseen and unacknowledged gender rules of music industry practice (both personal and technical) that underpin popular music etiquette.

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