Don't stop the carnival / Kevin Le Gendre.
Material type:
TextPublisher: Leeds : Peepal Tree Press, 2017Description: 320 pages ; 21 cmContent type: text Media type: unmediated Carrier type: volumeISBN: 9781845233617 (pbk.) :Subject(s): Music -- Great Britain -- History and criticism | Blacks -- Great Britain -- Music -- History | Jazz -- Great Britain -- History and criticism | Calypso (Music) -- Great Britain | Music | MusicDDC classification: 780.9'41 Summary: This is a story of empire, colonialism and then the new energies released by the movements for freedom and independence of the post second-world-war years; of the movements of peoples across borders; of the flow of music around the triangle that takes in Africa, the Caribbean, the USA and Great Britain; of temporary but highly influential visitors like Paul Robeson; and of the settlement of ex-colonial peoples who brought their music to Britain, and changed its forms and concerns in the new context.
| Item type | Current library | Home library | Shelving location | Class number | Status | Date due | Barcode | Item reservations | |
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Paul Hamlyn Library | Paul Hamlyn Library | Floor 3 | 781.6296041 LEG (Browse shelf(Opens below)) | Available | 06798799 | |||
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Paul Hamlyn Library | Paul Hamlyn Library | Floor 3 | 781.6296041 LEG (Browse shelf(Opens below)) | Issued | 11/11/2024 | 06798802 |
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| 781.6213009 CAN When we were good : the folk revival. | 781.6213009 COH Roots of the revival : American and British folk music in the 1950s / | 781.6296041 LEG Don't stop the carnival / | 781.6296041 LEG Don't stop the carnival / | 781.6296073 FLO The power of black music : interpreting its history from Africa to the United States / | 781.6296073 FLO The power of black music : interpreting its history from Africa to the United States / | 781.63 BRA Interpreting popular music / |
This is a story of empire, colonialism and then the new energies released by the movements for freedom and independence of the post second-world-war years; of the movements of peoples across borders; of the flow of music around the triangle that takes in Africa, the Caribbean, the USA and Great Britain; of temporary but highly influential visitors like Paul Robeson; and of the settlement of ex-colonial peoples who brought their music to Britain, and changed its forms and concerns in the new context.
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