Performance, movement and the body / Mark Evans.
Material type: TextSeries: Theatre and performance practicesPublisher: London : Red Globe Press, 2019Description: x, 200 pages ; 21 cmContent type: text Media type: unmediated Carrier type: volumeISBN: 9780230392519 (pbk.) :Subject(s): Movement (Acting) | Performing Arts | Performing ArtsDDC classification: 792'.028 Summary: Investigating a range of influential movement training practices, this ambitious book considers the significance of professional training to performers and their bodies. Performance training approaches are examined within their wider social and cultural contexts, illuminating their evolution in response to the changing context of theatre practice and production. Adopting a rigorous critical angle, Mark Evans' approach is at the cutting-edge of Theatre scholarship, drawing on interviews with recognised practitioners and considering the implications for movement and the body in the digital age.Item type | Current library | Home library | Shelving location | Class number | Status | Date due | Barcode | Item reservations | |
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Book | Paul Hamlyn Library | Paul Hamlyn Library | Floor 3 | 792.028 EVA (Browse shelf(Opens below)) | Available | 06753116 | |||
Book | Paul Hamlyn Library | Paul Hamlyn Library | Floor 3 | 792.028 EVA (Browse shelf(Opens below)) | Available | 06753124 | |||
Book | Paul Hamlyn Library | Paul Hamlyn Library | Floor 3 | 792.028 EVA (Browse shelf(Opens below)) | Available | 06753132 |
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792.028 EVA Auditions : the complete guide / | 792.028 EVA Performance, movement and the body / | 792.028 EVA Performance, movement and the body / | 792.028 EVA Performance, movement and the body / | 792.028 EVA Movement training for the modern actor | 792.028 EVA Movement training for the modern actor | 792.028 EVA Movement training for the modern actor |
Includes bibliographical references and index.
Investigating a range of influential movement training practices, this ambitious book considers the significance of professional training to performers and their bodies. Performance training approaches are examined within their wider social and cultural contexts, illuminating their evolution in response to the changing context of theatre practice and production. Adopting a rigorous critical angle, Mark Evans' approach is at the cutting-edge of Theatre scholarship, drawing on interviews with recognised practitioners and considering the implications for movement and the body in the digital age.
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