Mixing with impact : learning to make musical choices / Wessel Oltheten ; translated by Gijs van Osch.
Material type: TextPublisher: New York : Routledge, 2018Description: viii, 351 pages : illustrations (black and white, and colour) ; 23 cmContent type: text | still image Media type: unmediated Carrier type: volumeISBN: 9781138080898 (pbk.) :Subject(s): Sound recordings -- Production and direction | Popular music -- Production and direction | Music | MusicDDC classification: 781.3'4 Summary: In 'Mixing with Impact', Wessel Oltheten discusses the creative and technical concepts behind making a mix. Whether you're a dance producer in your home studio, a live mixer in a club, or an engineer in a big studio, the mindset is largely the same. The same goes for the questions you run into: where do you start? How do you deal with a context in which all the different parts affect each other? How do you avoid getting lost in technique? How do you direct your audience's attention? Why doesn't your mix sound as good as someone else's? How do you maintain your objectivity when you hear the same song a hundred times? How do your speakers affect your perception? What's the difference between one compressor and another?Item type | Current library | Home library | Shelving location | Class number | Status | Date due | Barcode | Item reservations | |
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Book | Paul Hamlyn Library | Paul Hamlyn Library | Floor 3 | 781.34 OLT (Browse shelf(Opens below)) | Available | 06769101 |
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"A Focal Press book"--Front cover.
Includes bibliographical references and index.
In 'Mixing with Impact', Wessel Oltheten discusses the creative and technical concepts behind making a mix. Whether you're a dance producer in your home studio, a live mixer in a club, or an engineer in a big studio, the mindset is largely the same. The same goes for the questions you run into: where do you start? How do you deal with a context in which all the different parts affect each other? How do you avoid getting lost in technique? How do you direct your audience's attention? Why doesn't your mix sound as good as someone else's? How do you maintain your objectivity when you hear the same song a hundred times? How do your speakers affect your perception? What's the difference between one compressor and another?
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