The Oxford handbook of sound and imagination. Volume 1 / edited by Mark Grimshaw-Aagaard, Mads Walther-Hansen, and Martin Knakkergaard.
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TextPublisher: New York : Oxford University Press, 2019Description: 808 pages ; 26 cmContent type: text Media type: unmediated Carrier type: volumeISBN: 9780190460167 (hbk.) :Other title: Sound and imaginationSubject(s): Music -- Psychological aspects | Sound -- Psychological aspects | Imagination | Music | MusicDDC classification: 781.1'1 Summary: Many existing works on sonic imagination tend to discuss musical imagination through terms like compositional creativity or performance technique. In this two-volume Handbook, contributors shift the focus of imagination away from the visual by addressing the topic of sonic imagination and expanding the field beyond musical compositional creativity and performance technique into other aural arenas where the imagination holds similar power. Topics covered include auditory imagery and the neurology of sonic imagination; aural hallucination and illusion; use of metaphor in the recording studio; the projection of acoustic imagination in architectural design; and the design of sound artifacts for cinema and computer games.
| Item type | Current library | Home library | Shelving location | Class number | Status | Date due | Barcode | Item reservations | |
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Paul Hamlyn Library | Paul Hamlyn Library | Floor 3 | 781.11 OXF (Browse shelf(Opens below)) | Available | 06738230 |
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| 781.11 OXF The Oxford handbook of music psychology / | 781.11 OXF The Oxford handbook of music psychology / | 781.11 OXF The Oxford handbook of sound and imagination. Volume 2 / | 781.11 OXF The Oxford handbook of sound and imagination. Volume 1 / | 781.11 OXF The Oxford handbook of music and the brain / | 781.11 PAT Music, language, and the brain / | 781.11 PER Perception and cognition of music / |
Includes bibliographical references and index.
Many existing works on sonic imagination tend to discuss musical imagination through terms like compositional creativity or performance technique. In this two-volume Handbook, contributors shift the focus of imagination away from the visual by addressing the topic of sonic imagination and expanding the field beyond musical compositional creativity and performance technique into other aural arenas where the imagination holds similar power. Topics covered include auditory imagery and the neurology of sonic imagination; aural hallucination and illusion; use of metaphor in the recording studio; the projection of acoustic imagination in architectural design; and the design of sound artifacts for cinema and computer games.
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