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Andrei Tarkovsky's sounding cinema : music and meaning from Solaris to The Sacrifice / Tobias Pontara.

By: Pontara, Tobias [author.]Material type: TextTextSeries: Music and sound on the international screenPublisher: London : Routledge, 2019Description: 194 pages : illustrations (black and white) ; 23 cmContent type: text | still image Media type: unmediated Carrier type: volumeISBN: 9780367277291 (hbk.) :Subject(s): Tarkovskiĭ, Andreĭ Arsenʹevich, 1932-1986 -- Criticism and interpretation | Motion picture music -- History and criticism | Motion pictures -- Sound effects | Music | MusicDDC classification: 781.5'42 Summary: 'Andrei Tarkovsky's Sounding Cinema' adds a new dimension to our understanding and appreciation of the work of Russian director Andrei Tarkovsky (1932-1986) through an exploration of the presence of music and sound in his films. Concentrating on the soundtrack in Tarkovsky's cinema, this book reveals how Tarkovsky's use of electronic music, electronically manipulated sound, traditional folk songs and fragments of canonized works of Western art music plays into the philosophical, existential and ethical themes recurring throughout his work.
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Book Book Paul Hamlyn Library Paul Hamlyn Library Floor 3 791.43024 PON (Browse shelf(Opens below)) Available 06769233
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Includes bibliographical references and index.

'Andrei Tarkovsky's Sounding Cinema' adds a new dimension to our understanding and appreciation of the work of Russian director Andrei Tarkovsky (1932-1986) through an exploration of the presence of music and sound in his films. Concentrating on the soundtrack in Tarkovsky's cinema, this book reveals how Tarkovsky's use of electronic music, electronically manipulated sound, traditional folk songs and fragments of canonized works of Western art music plays into the philosophical, existential and ethical themes recurring throughout his work.

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