Audio-vision : sound on screen / Michel Chion ; foreword by Walter Murch ; edited and translated by Claudia Gorbman.
Material type: TextLanguage: English Original language: French Publisher: New York : Columbia University Press, 2019Edition: 2nd editionDescription: xxiii, 270 pages : illustrations (black and white) ; 23 cmContent type: text | still image Media type: unmediated Carrier type: volumeISBN: 9780231185899 (pbk.) :Uniform titles: Audio-vision. English Subject(s): Sound motion pictures | Motion pictures -- Sound effects | Motion pictures -- Aesthetics | Performing Arts | Performing ArtsDDC classification: 791.4'3'024 Summary: Michel Chion's landmark 'Audio-Vision' has exerted significant influence on our understanding of sound-image relations since its original publication in 1994. In this updated and expanded edition, Chion considers many additional examples from recent world cinema and formulates new questions for the contemporary media environment.Item type | Current library | Home library | Shelving location | Class number | Status | Date due | Barcode | Item reservations | |
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Book | Paul Hamlyn Library | Paul Hamlyn Library | Floor 3 | 791.43024 CHI (Browse shelf(Opens below)) | Available | 06739261 | |||
Book | Paul Hamlyn Library | Paul Hamlyn Library | Floor 3 | 791.43024 CHI (Browse shelf(Opens below)) | Available | 06739288 |
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791.43024 CHI Film, a sound art / | 791.43024 CHI Film, a sound art / | 791.43024 CHI Audio-vision : sound on screen / | 791.43024 CHI Audio-vision : sound on screen / | 791.43024 CHI Audio-vision : sound on screen / | 791.43024 MAC Digital storytelling : the narrative power of visual effects in film / | 791.43024 MAC Digital storytelling : the narrative power of visual effects in film / |
Translated from the French.
Previous edition: 1994.
Includes bibliographical references and index.
Michel Chion's landmark 'Audio-Vision' has exerted significant influence on our understanding of sound-image relations since its original publication in 1994. In this updated and expanded edition, Chion considers many additional examples from recent world cinema and formulates new questions for the contemporary media environment.
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