Affective intensities and evolving horror forms : from found footage to virtual reality / Adam Daniel.
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TextPublisher: Edinburgh : Edinburgh University Press, 2020Description: 1 volume : illustrations (black and white) ; 24 cmContent type: text | still image Media type: unmediated Carrier type: volumeISBN: 9781474456357 (hbk.) :Subject(s): Horror films -- History and criticism | Horror television programs -- History and criticism | Performing Arts | Performing ArtsDDC classification: 791.4'36164 Summary: Horror cinema is a genre that is undergoing constant evolution, from the sub-genre of 'found footage', to post-cinematic new media forms such as Youtube horror, horror video games and cinematic virtual reality horror. By investigating how these new forms alter the dynamics of spectatorship, this book charts how cinema's affective capacities have shifted in relation to these modifications in the forms of cinematic horror.
| Item type | Current library | Home library | Shelving location | Class number | Status | Date due | Barcode | Item reservations | |
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Paul Hamlyn Library | Paul Hamlyn Library | Floor 3 | 791.436164 DAN (Browse shelf(Opens below)) | Available | 06725813 |
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| 791.43616 HOR Horror films : current research on audience preferences and reactions / | 791.436164 BOO Fragments of fear : [an illustrated history of British horror films]. | 791.436164 BRO Japanese horror and the transnational cinema of sensations / | 791.436164 DAN Affective intensities and evolving horror forms : from found footage to virtual reality / | 791.436164 HOG Dark romance : sexuality in the horror film / | 791.436164 HOR Horror : the film reader / | 791.436164 JAP Japanese horror cinema / |
Horror cinema is a genre that is undergoing constant evolution, from the sub-genre of 'found footage', to post-cinematic new media forms such as Youtube horror, horror video games and cinematic virtual reality horror. By investigating how these new forms alter the dynamics of spectatorship, this book charts how cinema's affective capacities have shifted in relation to these modifications in the forms of cinematic horror.
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