Feminist film theory and Cléo from 5 to 7 / Hilary Neroni.
Material type: TextSeries: Film theory in practicePublisher: London : Bloomsbury, 2016Description: 192 pagesContent type: text Media type: unmediated Carrier type: volumeISBN: 9781501313691 (pbk.) :Subject(s): Cléo de 5 à 7 (Motion picture) -- History and criticism | Feminist film criticism | Women in motion pictures | Feminism and motion pictures | Performing Arts | Performing ArtsDDC classification: 791.4'36522 Summary: This volume offers a concise introduction to feminist film theory in jargon-free language and shows how this theory can be deployed to interpret Agnes Varda's critically acclaimed 1962 film Cleo from 5 to 7. Through three key concepts - identification, framing the woman's body, and the female auteur - Hilary Neroni lays bare the debates and approaches within the vibrant history of feminist film theory, providing a point of entry to feminist film theory from its inception to today.Item type | Current library | Home library | Shelving location | Class number | Status | Date due | Barcode | Item reservations | |
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Book | Paul Hamlyn Library | Paul Hamlyn Library | Floor 3 | 791.436522 NER (Browse shelf(Opens below)) | Available | 06681441 |
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791.436522 KUH Women's pictures : feminism and cinema / | 791.436522 MAX The fatal woman : sources of male anxiety in American film noir, 1941-1991 / | 791.436522 MUL Visual and other pleasures / | 791.436522 NER Feminist film theory and Cléo from 5 to 7 / | 791.436522 RUT Feminist film theory and Pretty woman / | 791.436522 SCH American postfeminist cinema : women, romance and contemporary culture / | 791.436522 SIM Women of blaxploitation : how the black action film heroine changed American popular culture / |
This volume offers a concise introduction to feminist film theory in jargon-free language and shows how this theory can be deployed to interpret Agnes Varda's critically acclaimed 1962 film Cleo from 5 to 7. Through three key concepts - identification, framing the woman's body, and the female auteur - Hilary Neroni lays bare the debates and approaches within the vibrant history of feminist film theory, providing a point of entry to feminist film theory from its inception to today.
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