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Producing music / edited by Russ Hepworth-Sawyer, Jay Hodgson, Mark Marrington.

Contributor(s): Hepworth-Sawyer, Russ [editor.] | Hodgson, Jay [editor.] | Marrington, Mark [editor.]Material type: TextTextSeries: Perspectives on music production seriesPublisher: New York : Focal Press, 2018Description: 300 pages : illustrations (black and white)Content type: text | still image Media type: unmediated Carrier type: volumeISBN: 9780415789226 (pbk.) :Subject(s): Sound recordings -- Production and direction | Sound -- Recording and reproducing -- Digital techniques | Computer music | Music | MusicDDC classification: 781.4'9 Summary: During the last two decades, the field of music production has attracted considerable interest from the academic community, more recently becoming established as an important and flourishing research discipline in its own right. In addition, the academic study of music production within educational institutions has become the norm alongside training in the technical aspects of the practice. This book presents cutting edge research across topics that both strengthen and broaden the range of the discipline as it currently stands.
Holdings
Item type Current library Home library Shelving location Class number Status Date due Barcode Item reservations
Book Book Paul Hamlyn Library Paul Hamlyn Library Floor 3 781.49 PRO (Browse shelf(Opens below)) Available 06674372
Book Book Paul Hamlyn Library Paul Hamlyn Library Floor 3 781.49 PRO (Browse shelf(Opens below)) Available 06674380
Book Book Paul Hamlyn Library Paul Hamlyn Library Floor 3 781.49 PRO (Browse shelf(Opens below)) Available 06674399
Book Book Paul Hamlyn Library Paul Hamlyn Library Floor 3 781.49 PRO (Browse shelf(Opens below)) Available 06674828
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Includes Producing 3-D audio by Justin Paterson (LCM) and Gareth Llewellyn

During the last two decades, the field of music production has attracted considerable interest from the academic community, more recently becoming established as an important and flourishing research discipline in its own right. In addition, the academic study of music production within educational institutions has become the norm alongside training in the technical aspects of the practice. This book presents cutting edge research across topics that both strengthen and broaden the range of the discipline as it currently stands.

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