Details for: Making site-specific theatre and performance : a handbook / › University of West London Library catalogue

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Making site-specific theatre and performance : a handbook / Phil Smith.

By: Smith, Phil, 1956- [author.]Material type: Text

TextPublisher: London : Red Globe Press, 2019Description: xvii, 262 pages : illustrations (black and white) ; 21 cmContent type: text | still image Media type: unmediated Carrier type: volumeISBN: 9781352003178 (pbk.) :Subject(s): Site-specific theater | Performing Arts | Performing ArtsDDC classification: 792'.022 Summary: This practical, accessible and far-reaching guide to making site-specific theatre and performance emphasises the diversity of approaches to the practice, and explores key principles of space and site. Phil Smith draws on a wide range of interdisciplinary and international performance examples, and uses an innovative variety of exercises, to show students and aspiring performance-makers how to find a site and generate a performance beyond the theatre building.

Holdings
Item type	Current library	Home library	Shelving location	Class number	Status	Date due	Barcode	Item reservations
Book	Paul Hamlyn Library	Paul Hamlyn Library	Floor 3	792.022 SMI (Browse shelf(Opens below))	Available		06643485
Book	Paul Hamlyn Library	Paul Hamlyn Library	Floor 3	792.022 SMI (Browse shelf(Opens below))	Available		06643493

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Previous	792.022 ROB A practical guide to ensemble devising /	792.022 ROO Experimental theatre : from Stanislavsky to Peter Brook /	792.022 SMI Making site-specific theatre and performance : a handbook /	792.022 SMI Making site-specific theatre and performance : a handbook /	792.022 WAR Creating worlds : how to make immersive theatre /	792.022 WAR Creating worlds : how to make immersive theatre /	792.022 WHI Audience participation in theatre : aesthetics of the invitation /	Next

Includes bibliographical references and index.

This practical, accessible and far-reaching guide to making site-specific theatre and performance emphasises the diversity of approaches to the practice, and explores key principles of space and site. Phil Smith draws on a wide range of interdisciplinary and international performance examples, and uses an innovative variety of exercises, to show students and aspiring performance-makers how to find a site and generate a performance beyond the theatre building.

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