Theatre and festivals / Keren Zaiontz.
Material type: TextPublisher: Basingstoke, Hampshire : Palgrave Macmillan, 2018Description: 110 pages ; 18 cmContent type: text Media type: unmediated Carrier type: volumeISBN: 9781137443038 (pbk.) :Subject(s): Theater | Theater -- Social aspects | Festivals | Performing Arts | Performing ArtsDDC classification: 792 Summary: This succinct and engaging text rethinks the common wisdom that festivals, sites of collective celebration and play, provide a temporary reprieve from the grind of everyday 'real' life. Keren Zaiontz explores the ways in which cultural performances of resistance that have their basis in festivals can migrate to other contexts, making festivals as much the domain of free markets and state power as that of vanguard artists and progressive social movements.Item type | Current library | Home library | Shelving location | Class number | Status | Date due | Barcode | Item reservations | |
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Book | Paul Hamlyn Library | Paul Hamlyn Library | Floor 3 | 792.074 ZAI (Browse shelf(Opens below)) | Available | 06643450 | |||
Book | Paul Hamlyn Library | Paul Hamlyn Library | Floor 3 | 792.074 ZAI (Browse shelf(Opens below)) | Available | 06643469 | |||
Book | Paul Hamlyn Library | Paul Hamlyn Library | Floor 3 | 792.074 ZAI (Browse shelf(Opens below)) | Available | 06643477 |
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792.0721 RES Research methods in theatre and performance / | 792.0721 RES Research methods in theatre and performance / | 792.074 ZAI Theatre and festivals / | 792.074 ZAI Theatre and festivals / | 792.074 ZAI Theatre and festivals / | 792.08 ROU The Routledge companion to African American theatre and performance / | 792.082 CAS Feminist and queer performance : critical strategies / |
This succinct and engaging text rethinks the common wisdom that festivals, sites of collective celebration and play, provide a temporary reprieve from the grind of everyday 'real' life. Keren Zaiontz explores the ways in which cultural performances of resistance that have their basis in festivals can migrate to other contexts, making festivals as much the domain of free markets and state power as that of vanguard artists and progressive social movements.
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