Tragedy and dramatic theatre / Hans-Thies Lehmann ; translated by Erik Butler.
Material type:
TextLanguage: English Original language: German Publisher: London : Routledge, 2016Description: vii, 458 pages ; 24 cmContent type: text Media type: unmediated Carrier type: volumeISBN: 9781138191969Subject(s): Tragedy -- History and criticism | Drama -- History and criticism | Literature | LiteratureDDC classification: 809.2'512 Summary: This comprehensive, authoritative account of tragedy is the culmination of Hans-Thies Lehmann's groundbreaking contributions to theatre and performance scholarship. It is a major milestone in our understanding of this core foundation of the dramatic arts. From the philosophical roots and theories of tragedy, through its inextricable relationship with drama, to its impact upon post-dramatic forms, this is the definitive work in its field. Lehmann plots a course through the history of dramatic thought, taking in Aristotle, Plato, Seneca, Nietzsche, Heidegger, Lacan, Shakespeare, Schiller, Holderlin, Wagner, Maeterlinck, Yeats, Brecht, Kantor, Heiner Müller and Sarah Kane.
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Paul Hamlyn Library | Paul Hamlyn Library | Floor 3 | 809.2512 LEH (Browse shelf(Opens below)) | Available | 06609880 |
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| 809.225 THO Television drama : theories and identities / | 809.225 THO Television drama : theories and identities / | 809.225 THO Television drama : theories and identities / | 809.2512 LEH Tragedy and dramatic theatre / | 809.2512 LEH Tragedy and dramatic theatre / | 809.2512 LEH Tragedy and dramatic theatre / | 809.293556 MAC Theatre & prison / |
Translated from the German.
Includes bibliographical references and index.
This comprehensive, authoritative account of tragedy is the culmination of Hans-Thies Lehmann's groundbreaking contributions to theatre and performance scholarship. It is a major milestone in our understanding of this core foundation of the dramatic arts. From the philosophical roots and theories of tragedy, through its inextricable relationship with drama, to its impact upon post-dramatic forms, this is the definitive work in its field. Lehmann plots a course through the history of dramatic thought, taking in Aristotle, Plato, Seneca, Nietzsche, Heidegger, Lacan, Shakespeare, Schiller, Holderlin, Wagner, Maeterlinck, Yeats, Brecht, Kantor, Heiner Müller and Sarah Kane.
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