Cognitive theory and documentary film / edited by Catalin Brylla, Mette Kramer.
Material type: TextPublisher: Basingstoke, Hampshire : Palgrave Macmillan, 2018Description: 319 pages : illustrations (black and white, and colour) ; 21 cmContent type: text | still image Media type: unmediated Carrier type: volumeISBN: 9783319903316 (hbk.) :Subject(s): Documentary films -- Psychological aspects | Motion picture audiences -- Psychology | Cognition | Media Studies | Media StudiesDDC classification: 070.1'8'019 Summary: This groundbreaking edited collection is the first major study to explore the intersection between cognitive theory and documentary film studies, focusing on a variety of formats, such as first-person, wildlife, animated and slow TV documentary, as well as docudrama and web videos. Documentaries play an increasingly significant role in informing our cognitive and emotional understanding of today's mass-mediated society, and this collection seeks to illuminate their production, exhibition, and reception. Taking an interdisciplinary approach, the essays draw on the latest research in film studies, the neurosciences, cultural studies, cognitive psychology, social psychology, and the philosophy of mind.Item type | Current library | Home library | Shelving location | Class number | Status | Date due | Barcode | Item reservations | |
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Book | Paul Hamlyn Library | Paul Hamlyn Library | Floor 1 | 070.18019 COG (Browse shelf(Opens below)) | Available | 06610048 | |||
Book | Paul Hamlyn Library | Paul Hamlyn Library | Floor 1 | 070.18019 COG (Browse shelf(Opens below)) | Available | 06610056 |
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070.18 VIL Documenting cityscapes : urban change in contemporary non-fiction film / | 070.18 WAR Documentary : the margins of reality / | 070.18 WAR Documentary : the margins of reality / | 070.18019 COG Cognitive theory and documentary film / | 070.18019 COG Cognitive theory and documentary film / | 070.1809 WIN Claiming the real : the Griersonian documentary and its legitimations / | 070.1809 WIN Claiming the real : the Griersonian documentary and its legitimations / |
This groundbreaking edited collection is the first major study to explore the intersection between cognitive theory and documentary film studies, focusing on a variety of formats, such as first-person, wildlife, animated and slow TV documentary, as well as docudrama and web videos. Documentaries play an increasingly significant role in informing our cognitive and emotional understanding of today's mass-mediated society, and this collection seeks to illuminate their production, exhibition, and reception. Taking an interdisciplinary approach, the essays draw on the latest research in film studies, the neurosciences, cultural studies, cognitive psychology, social psychology, and the philosophy of mind.
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