Distributed creativity : collaboration and improvisation in contemporary music / edited by Eric F. Clarke and Mark Doffman.
Material type:
TextSeries: Studies in musical performance as creative practicePublisher: New York : Oxford University Press, 2018Description: 384 pages : illustrations (black and white). ; 24 cmContent type: text | still image Media type: unmediated Carrier type: volumeISBN: 9780199355914 (hbk.) :Subject(s): Composition (Music) -- Collaboration | Improvisation (Music) | Music -- 20th century -- History and criticism | Music -- 21st century -- History and criticism | Music | MusicDDC classification: 781.3 Summary: Creative practice in music takes place in a distributed and interactive manner embracing the activities of composers, performers and improvisers-despite the sharp division of labour between these roles that traditional concert culture often presents. Two distinctive features of contemporary music are the greater incorporation of improvisation and the development of integrated and collaborative working practices between composers and performers. By blurring the distinction between composition and performance, improvisation and collaboration provide important perspectives on the distributed creative processes that play a central role in much contemporary concert music. This volume explores how collaboration and improvisation enable and constrain these creative processes.
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Includes bibliographical references and index.
Creative practice in music takes place in a distributed and interactive manner embracing the activities of composers, performers and improvisers-despite the sharp division of labour between these roles that traditional concert culture often presents. Two distinctive features of contemporary music are the greater incorporation of improvisation and the development of integrated and collaborative working practices between composers and performers. By blurring the distinction between composition and performance, improvisation and collaboration provide important perspectives on the distributed creative processes that play a central role in much contemporary concert music. This volume explores how collaboration and improvisation enable and constrain these creative processes.
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