Beyond unwanted sound : noise, affect and aesthetic moralism / Marie Thompson.
Material type: TextPublisher: New York : Bloomsbury Academic, 2017Description: 199 pages : illustrations (black and white) ; 23 cmContent type: text | still image Media type: unmediated Carrier type: volumeISBN: 9781501313301 (pbk.) :Subject(s): Noise -- Psychological aspects | Sound -- Psychological aspects | Psychology | PsychologyDDC classification: 155.9'115 Summary: Noise is so often a 'stench in the ear' - an unpleasant disturbance or an unwelcome distraction. But there is much more to noise than what greets the ear as unwanted sound. 'Beyond Unwanted Sound' is about noise and how we talk about it. Weaving together affect theory with cybernetics, media histories, acoustic ecology, geo-politics, sonic art practices and a range of noises, Marie Thompson critiques both the conservative politics of silence and transgressive poetics of noise music, each of which position noise as a negative phenomenon.Item type | Current library | Home library | Shelving location | Class number | Status | Date due | Barcode | Item reservations | |
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Book | Paul Hamlyn Library | Paul Hamlyn Library | Floor 1 | 155.9115 THO (Browse shelf(Opens below)) | Available | 06532969 |
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155.91145 EIS Color : messages and meanings / | 155.9115 SON Sonic experience : a guide to the effects of sound / | 155.9115 SON Sonic experience : a guide to the effects of sound / | 155.9115 THO Beyond unwanted sound : noise, affect and aesthetic moralism / | 155.92 MAC Culture and health / | 155.92 MAC Culture and health / | 155.92 MAC Culture and health / |
Includes bibliographical references and index.
Noise is so often a 'stench in the ear' - an unpleasant disturbance or an unwelcome distraction. But there is much more to noise than what greets the ear as unwanted sound. 'Beyond Unwanted Sound' is about noise and how we talk about it. Weaving together affect theory with cybernetics, media histories, acoustic ecology, geo-politics, sonic art practices and a range of noises, Marie Thompson critiques both the conservative politics of silence and transgressive poetics of noise music, each of which position noise as a negative phenomenon.
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