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The actor and his body / Litz Pisk ; introduction by Ayse Tashkiran.

By: Pisk, Litz [author.]Material type: TextTextSeries: Theatre makersPublisher: London : Bloomsbury Methuen Drama, 2017Edition: 4th editionDescription: 128 pages : illustrations (black and white) ; 24 cmContent type: text | still image Media type: unmediated Carrier type: volumeISBN: 9781474269742 (pbk.) :Subject(s): Movement (Acting) | Exercise | Health and Fitness | Health and WellbeingDDC classification: 613.7'1'024792 Summary: Litz Pisk was widely regarded as the most influential teacher of modern theatre movement of the 20th century. She innovated and advocated a physical training that sought to combine awareness, emotion and imagination specifically for the actor's craft. Her seminal book, 'The Actor and His Body', is the direct result of her unique dual career as a professional movement director and as an actor movement teacher working in leading British conservatoires. Pisk's quest was to find expression for the inner impulse that motivated actors to move. Her teachings, as outlined in this book, offer insight on the specific craft of the actor, and the relationship between movement, imagination and the 'need' to move.
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Item type Current library Home library Shelving location Class number Status Date due Barcode Item reservations
Book Book Paul Hamlyn Library Paul Hamlyn Library Floor 3 792.028 PIS (Browse shelf(Opens below)) Available 06510868
Book Book Paul Hamlyn Library Paul Hamlyn Library Floor 3 792.028 PIS (Browse shelf(Opens below)) Available 06510876
Book Book Paul Hamlyn Library Paul Hamlyn Library Floor 3 792.028 PIS (Browse shelf(Opens below)) Available 06510884
Book Book Paul Hamlyn Library Paul Hamlyn Library Floor 3 792.028 PIS (Browse shelf(Opens below)) Available 06510892
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Litz Pisk was widely regarded as the most influential teacher of modern theatre movement of the 20th century. She innovated and advocated a physical training that sought to combine awareness, emotion and imagination specifically for the actor's craft. Her seminal book, 'The Actor and His Body', is the direct result of her unique dual career as a professional movement director and as an actor movement teacher working in leading British conservatoires. Pisk's quest was to find expression for the inner impulse that motivated actors to move. Her teachings, as outlined in this book, offer insight on the specific craft of the actor, and the relationship between movement, imagination and the 'need' to move.

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