Details for: From Pac-Man to pop music : interactive audio in games and new media / › University of West London Library catalogue

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From Pac-Man to pop music : interactive audio in games and new media / edited by Karen Collins.

Contributor(s): Collins, Karen, 1973-Material type: Text

TextSeries: Ashgate popular and folk music seriesPublication details: Aldershot : Ashgate, c2008Description: xi, 207 p. : ill. ; 24 cmISBN: 9780754662112 (pbk.) :; 075466211X (pbk.) :; 9780754662006 (hbk.) :; 0754662004 (hbk.) :Subject(s): Video game music -- History and criticism | Computer game music -- History and criticism | Sound effects music -- History and criticismDDC classification: 781.5'4 Summary: Digital interactive audio is the future of audio in media. In this book, Karen Collins provides a framework for understanding the history, issues and theories surrounding interactive audio. She introduces the topic from a variety of angles in order to provide a supplementary text for music and multimedia courses.

Holdings
Item type	Current library	Home library	Shelving location	Class number	Status	Date due	Barcode	Item reservations
Book	Paul Hamlyn Library	Paul Hamlyn Library	Floor 3	781.54 COL (Browse shelf(Opens below))	Available		06199801
Book	Paul Hamlyn Library	Paul Hamlyn Library	Floor 3	781.54 COL (Browse shelf(Opens below))	Available		06199828

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Previous	781.54 CHE Sound play : video games and the musical imagination /	781.54 COL Game sound : an introduction to the history, theory, and practice of video game music and sound design /	781.54 COL From Pac-Man to pop music : interactive audio in games and new media /	781.54 COL From Pac-Man to pop music : interactive audio in games and new media /	781.54 FAI Sounds, screens, speakers : an introduction to music and media /	781.54 FAI Sounds, screens, speakers : an introduction to music and media /	781.54 HEX The film and media creators' guide to music /	Next

Includes bibliographical references (p. 195-202) and index.

Digital interactive audio is the future of audio in media. In this book, Karen Collins provides a framework for understanding the history, issues and theories surrounding interactive audio. She introduces the topic from a variety of angles in order to provide a supplementary text for music and multimedia courses.

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