Experiencing liveness in contemporary performance : interdisciplinary perspectives / edited by Matthew Reason and Anja Mølle Lindelof.
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TextSeries: Routledge advances in theatre and performance studies ; 47.Publisher: New York : Routledge, 2016Copyright date: ©2017Description: xvi, 304 pages : illustrations (black and white) ; 25 cmContent type: text | still image Media type: unmediated Carrier type: volumeISBN: 9781138961593 (hbk.) :Subject(s): Performing arts -- Social aspects | Performing arts -- Psychological aspects | Performing arts -- Audiences | Performing Arts | Performing ArtsDDC classification: 792'.01 Summary: Brings together dynamic perspectives on the concept of liveness in the performing arts, engaging with the live through the particular analytical focus of audiences and experience. The status and significance of the live in performance has become contested: perceived as variously as a marker of ontological difference, a promotional slogan, or a mystical evocation of cultural value. Moving beyond debates about the relationship between the live and the mediated, this collection considers what we can know and say about liveness in terms of processes of experiencing and processes of making.
| Item type | Current library | Home library | Shelving location | Class number | Status | Date due | Barcode | Item reservations | |
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Paul Hamlyn Library | Paul Hamlyn Library | Floor 3 | 792.01 EXP (Browse shelf(Opens below)) | Available | 06569595 |
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| 792.01 BRE Brecht on theatre : the development of an aesthetic / | 792.01 ERO Eroticism and death in theatre and performance / | 792.01 ERO Eroticism and death in theatre and performance / | 792.01 EXP Experiencing liveness in contemporary performance : interdisciplinary perspectives / | 792.01 FOU Foucault's theatres / | 792.01 GER Theatre, Theory, Theatre. | 792.01 GRO Towards a poor theatre / |
Includes bibliographical references and index.
Brings together dynamic perspectives on the concept of liveness in the performing arts, engaging with the live through the particular analytical focus of audiences and experience. The status and significance of the live in performance has become contested: perceived as variously as a marker of ontological difference, a promotional slogan, or a mystical evocation of cultural value. Moving beyond debates about the relationship between the live and the mediated, this collection considers what we can know and say about liveness in terms of processes of experiencing and processes of making.
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