The gendered score : music in 1940s melodrama and the woman's film / Heather Laing.
Material type:
TextSeries: Ashgate popular and folk music seriesPublisher: London : Routledge, 2016Description: xiv, 196 pages : illustrations (black and white) ; 24 cmContent type: text | still image Media type: unmediated Carrier type: volumeISBN: 9781138264731 (pbk.) :Subject(s): Motion picture music -- History and criticism | Women in motion pictures | Sex role in motion pictures | Gender identity in music | Melodrama in motion pictures | Music | MusicDDC classification: 781.5'42'082 Summary: Heather Laing examines the issues of gender and emotion that underpin the classical style of film scoring, providing a benchmark for thinking on more recent and alternative styles of scoring, but which remain unquestioned and untheorized.
| Item type | Current library | Home library | Shelving location | Class number | Status | Date due | Barcode | Item reservations | |
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Paul Hamlyn Library | Paul Hamlyn Library | Floor 3 | 781.542082 LAI (Browse shelf(Opens below)) | Available | 06357970 |
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| 781.542 WHI Elmer Bernstein's The magnificent seven : a film score guide / | 781.54201 BUH Theories of the soundtrack / | 781.54201 BUH Theories of the soundtrack / | 781.542082 LAI The gendered score : music in 1940s melodrama and the woman's film / | 781.54209 BRO Overtones and undertones : reading film music / | 781.54209 BRO Overtones and undertones : reading film music / | 781.54209 BRO Overtones and undertones : reading film music / |
"An Ashgate book"--Front cover.
Originally published: Aldershot: Ashgate, 2007.
Includes bibliographical references, filmography and index.
Heather Laing examines the issues of gender and emotion that underpin the classical style of film scoring, providing a benchmark for thinking on more recent and alternative styles of scoring, but which remain unquestioned and untheorized.
Specialized.
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