Get real : documentary theatre past and present / edited by Alison Forsyth and Chris Megson.
Material type:
TextSeries: Performance interventionsPublisher: Basingstoke, Hampshire : Palgrave Macmillan, [2010]Description: xii, 256 pages ; 22 cmContent type: text Media type: unmediated Carrier type: volumeISBN: 9781349306688 (pbk.) :Subject(s): Theater and society | Theater -- Political aspects | Theater -- Anthropological aspects | Political plays -- History and criticism | Reality in literature | Performing Arts | Performing ArtsDDC classification: 792'.013 Summary: Over the past two decades, theatre practitioners across the West have turned to documentary modes of performance-making to confront new socio-political realities. The essays in this book place this work in context, exploring historical and contemporary examples of documentary and 'verbatim' theatre, and applying a range of critical perspectives.
| Item type | Current library | Home library | Shelving location | Class number | Status | Date due | Barcode | Item reservations | |
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Paul Hamlyn Library | Paul Hamlyn Library | Floor 3 | 792.013 GET (Browse shelf(Opens below)) | Available | 06357903 | |||
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Paul Hamlyn Library | Paul Hamlyn Library | Floor 3 | 792.013 GET (Browse shelf(Opens below)) | Available | 06611958 | |||
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Paul Hamlyn Library | Paul Hamlyn Library | Floor 3 | 792.013 GET (Browse shelf(Opens below)) | Available | 06611966 |
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| 792.013 BOA Theatre of the oppressed / | 792.013 GET Get real : documentary theatre past and present / | 792.013 GET Get real : documentary theatre past and present / | 792.013 GET Get real : documentary theatre past and present / | 792.013 HUG Performance in a time of terror. | 792.013 HUG Performance in a time of terror. | 792.013 KNO Theatre & interculturalism / |
Transferred to digital printing.
Originally published: 2009.
Includes bibliographical references and index.
Over the past two decades, theatre practitioners across the West have turned to documentary modes of performance-making to confront new socio-political realities. The essays in this book place this work in context, exploring historical and contemporary examples of documentary and 'verbatim' theatre, and applying a range of critical perspectives.
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