The Oxford handbook of music making and leisure / edited by Roger Mantie and Gareth Dylan Smith.
Material type:
TextPublisher: New York, NY : Oxford University Press, [2017]Copyright date: ©2017Description: xviii, 672 pages : illustrations (black and white) ; 26 cmContent type: text | still image Media type: unmediated Carrier type: volumeISBN: 9780190244705 (hbk.) :Other title: Handbook of music making and leisure | Music making and leisureSubject(s): Music as recreation | Music -- Social aspects | Music | MusicDDC classification: 306.4'842 Summary: Music has been a vital part of leisure activity across time and cultures. Contemporary commodification, commercialisation, and consumerism, however, have created a chasm between conceptualisations of music making and numerous realities in our world. From a broad range of perspectives and approaches, this handbook explores avocational involvement with music (i.e., amateur, recreation) as an integral part of the human condition. The chapters in this handbook present a myriad of ways for reconsidering-refocusing attention on-the rich, exciting, and emotionally charged ways in which people of all ages make time for making music through music learning and participation.
| Item type | Current library | Home library | Shelving location | Class number | Status | Date due | Barcode | Item reservations | |
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Paul Hamlyn Library | Paul Hamlyn Library | Floor 1 | 306.4842 OXF (Browse shelf(Opens below)) | Available | 06370276 |
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| 306.4842 MUS Music and human-computer interaction / | 306.4842 NOW Consuming music in the digital age : technologies, roles and everyday life / | 306.4842 OXF The Oxford handbook of the new cultural history of music / | 306.4842 OXF The Oxford handbook of music making and leisure / | 306.4842 REB Rebel Musics. | 306.4842 ROA Roads to Music Sociology. | 306.4842 ROU The Routledge reader on the sociology of music / |
Oxford handbooks series.
Includes bibliographical references and index.
Music has been a vital part of leisure activity across time and cultures. Contemporary commodification, commercialisation, and consumerism, however, have created a chasm between conceptualisations of music making and numerous realities in our world. From a broad range of perspectives and approaches, this handbook explores avocational involvement with music (i.e., amateur, recreation) as an integral part of the human condition. The chapters in this handbook present a myriad of ways for reconsidering-refocusing attention on-the rich, exciting, and emotionally charged ways in which people of all ages make time for making music through music learning and participation.
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