The unwritten Grotowski : theory and practice of the encounter / Kris Salata.
Material type:
TextSeries: Routledge advances in theatre and performance studies ; 26.Publisher: New York : Routledge, 2013Description: xvi, 220 pages ; 24 cmContent type: text Media type: unmediated Carrier type: volumeISBN: 9780415534031 (hbk.) :; 9780203078969 (ebook) :Subject(s): Grotowski, Jerzy, 1933-1999 -- Criticism and interpretation | Performing arts -- Philosophy | Performing Arts | Performing ArtsDDC classification: 792'.0233'092 Summary: This book gives a new view on the legacy of Jerzy Grotowski (1933-1999), one of the central, and yet misunderstood, figures who shaped 20th-century theatre, focusing on his least known last phase of work on ancient songs and the craft of the performer. Salata posits Grotowski's work as philosophical practice, and more particularly, as practical research in the phenomenology of being, arguing that Grotowski's departure from theatrical productions resulted from his uncompromising pursuit of one central problem, 'What does it mean to reveal oneself?'
| Item type | Current library | Home library | Shelving location | Class number | Status | Date due | Barcode | Item reservations | |
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Paul Hamlyn Library | Paul Hamlyn Library | Floor 3 | 792.0233092 SAL (Browse shelf(Opens below)) | Available | 06293549 |
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| 792.0233092 RIC At work with Grotowski on physical actions. | 792.0233092 RIC Heart of practice : within the Workcenter of Jerzy Grotowski and Thomas Richards / | 792.0233092 RIC Heart of practice : within the Workcenter of Jerzy Grotowski and Thomas Richards / | 792.0233092 SAL The unwritten Grotowski : theory and practice of the encounter / | 792.0233092 SHE Rediscovering Stanislavsky / | 792.0233092 SHE Rediscovering Stanislavsky / | 792.0233092 SLO Jerzy Grotowski / |
Includes bibliographical references and index.
This book gives a new view on the legacy of Jerzy Grotowski (1933-1999), one of the central, and yet misunderstood, figures who shaped 20th-century theatre, focusing on his least known last phase of work on ancient songs and the craft of the performer. Salata posits Grotowski's work as philosophical practice, and more particularly, as practical research in the phenomenology of being, arguing that Grotowski's departure from theatrical productions resulted from his uncompromising pursuit of one central problem, 'What does it mean to reveal oneself?'
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