Scoring the score : the role of the orchestrator in the contemporary film industry / Ian Sapiro.
Material type:
TextPublisher: New York : Routledge, 2017Description: xxiv, 220 pages : illustrations (black and white) ; 23 cmContent type: text | still image Media type: unmediated Carrier type: volumeISBN: 9780415723237 (pbk.) :Subject(s): Motion picture music -- Production and direction | Motion picture music -- Scores | Instrumentation and orchestration | Music | MusicDDC classification: 781.5'421374 Summary: 'Scoring the Score' is the first scholarly examination of the orchestrator's role in the contemporary film industry. Orchestrators are crucial to the production of a film's score, yet they have not received significant consideration in film-music research. This book sheds light on this often-overlooked yet vital profession. It considers the key processes of orchestrating and arranging and how they relate, musical and filmic training, the wide-ranging responsibilities of the orchestrator on a film-scoring project, issues related to working practices, the impact of technology, and the differences between the UK and US production processes as they affect orchestrators.
| Item type | Current library | Home library | Shelving location | Class number | Status | Date due | Barcode | Item reservations | |
|---|---|---|---|---|---|---|---|---|---|
Book
|
Paul Hamlyn Library | Paul Hamlyn Library | Floor 3 | 781.5421374 SAP (Browse shelf(Opens below)) | Available | 06339298 |
Includes bibliographical references and index.
'Scoring the Score' is the first scholarly examination of the orchestrator's role in the contemporary film industry. Orchestrators are crucial to the production of a film's score, yet they have not received significant consideration in film-music research. This book sheds light on this often-overlooked yet vital profession. It considers the key processes of orchestrating and arranging and how they relate, musical and filmic training, the wide-ranging responsibilities of the orchestrator on a film-scoring project, issues related to working practices, the impact of technology, and the differences between the UK and US production processes as they affect orchestrators.
Specialized.
There are no comments on this title.