Stravinsky's piano : genesis of a musical language / Graham Griffiths.
Material type:
TextSeries: Music since 1900Publisher: Cambridge : Cambridge University Press, 2016Description: 353 pages : illustrations (black and white) ; 25 cmContent type: text | still image Media type: unmediated Carrier type: volumeISBN: 9781316632178 (pbk.) :Subject(s): Stravinsky, Igor, 1882-1971 -- Criticism and interpretationDDC classification: 780.9'2 Summary: Graham Griffiths places Stravinsky's reinvention in the early 1920s, as both neoclassical composer and concert-pianist, at the centre of a fundamental reconsideration of the composer's entire output - viewed from the unprecedented perspective of his relationship with the piano. Stravinsky's reinvention in the early 1920s, as both neoclassical composer and concert-pianist, is here placed at the centre of a fundamental reconsideration of his whole output - viewed from the unprecedented perspective of his relationship with the piano.
| Item type | Current library | Home library | Shelving location | Class number | Status | Date due | Barcode | Item reservations | |
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Paul Hamlyn Library | Paul Hamlyn Library | Floor 3 | 780.92 GRI (Browse shelf(Opens below)) | Available | 06330487 | |||
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Paul Hamlyn Library | Paul Hamlyn Library | Floor 3 | 780.92 GRI (Browse shelf(Opens below)) | Available | 06826520 |
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| 780.92 GLA Words without music : a memoir / | 780.92 GRA Grainger the modernist / | 780.92 GRE Samuel Coleridge-Taylor, a musical life / | 780.92 GRI Stravinsky's piano : genesis of a musical language / | 780.92 HAN Handel : a documentary biography. | 780.92 HAN The Cambridge companion to Handel / | 780.92 HAR Harrison Birtwistle studies / |
Originally published: 2013.
Includes bibliographical references and index.
Graham Griffiths places Stravinsky's reinvention in the early 1920s, as both neoclassical composer and concert-pianist, at the centre of a fundamental reconsideration of the composer's entire output - viewed from the unprecedented perspective of his relationship with the piano. Stravinsky's reinvention in the early 1920s, as both neoclassical composer and concert-pianist, is here placed at the centre of a fundamental reconsideration of his whole output - viewed from the unprecedented perspective of his relationship with the piano.
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