Exhibiting the moving image / edited by François Bovier and Adeena Mey.
Material type: TextSeries: DocumentsPublisher: Zurich : JRP/Ringier, 2015Description: 158 pages : illustrations (black and white) ; 21 cmContent type: text | still image Media type: unmediated Carrier type: volumeISBN: 9783037643884 (pbk.) :Subject(s): Motion pictures -- Exhibitions | Promotional films -- Exhibitions | Video art -- ExhibitionsDDC classification: 791.4'3'074 Summary: This collection of new essays investigates the relationships between the white cube and the black box, focusing mainly on the 1970s, a decade in which film practices and moving images were integrated into museums and art spaces.The authors analyze multiple modalities of presenting the moving image through historical case studies - the anatomy of video art, expanded cinema, artists' films and installations, and the moving image in the public sphere.Item type | Current library | Home library | Shelving location | Class number | Status | Date due | Barcode | Item reservations | |
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Book | Paul Hamlyn Library | Paul Hamlyn Library | Floor 3 | 791.43074 EXH (Browse shelf(Opens below)) | Available | 06345360 |
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791.4307 ROS World film and television study resources : A reference guide to major training centers and archives. | 791.4307 SAG Handbook of film studies / | 791.43074 CIN Cinema in the expanded field / | 791.43074 EXH Exhibiting the moving image / | 791.43082 BAS A woman's view : how Hollywood spoke to women, 1930-1960 / | 791.43082 BUT Women's cinema : the contested screen / | 791.43082 FRA Script girls : women screenwriters in Hollywood / |
This collection of new essays investigates the relationships between the white cube and the black box, focusing mainly on the 1970s, a decade in which film practices and moving images were integrated into museums and art spaces.The authors analyze multiple modalities of presenting the moving image through historical case studies - the anatomy of video art, expanded cinema, artists' films and installations, and the moving image in the public sphere.
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