The big secret live 'I am Shakespeare' webcam daytime chatroom show! : a comedy of Shakespearean identity crisis / Mark Rylance.
Material type: TextPublication details: London : Nick Hern Books, 2012Description: 99 p. ; 20 cmISBN: 9781848422698 (pbk.)Other title: I am Shakespeare [Cover title]Subject(s): Shakespeare, William, 1564-1616 -- Authorship -- Drama | Shakespeare, William, 1564-1616 -- In literature -- DramaLOC classification: PR6118.Y42 | B54 2012Summary: "I Am Shakespeare" is Mark Rylance's fascinating, witty and characteristically exuberant dramatic contribution to the Shakespeare authorship debate. Is it possible that the son of an illiterate tradesman, from a small market town in Warwickshire, could have written the greatest dramatic works the world has ever seen? Mark Rylance is one of a number of leading actors who seriously question the idea that William Shakespeare was the man behind the thirty-seven plays that have moved, inspired and amazed generations. First performed at Chichester Festival Theatre in 2007, Rylance's provocative play introduces us to the main candidates and their respective claims whilst asking fundamental questions about what makes a genius, and why it all matters anyway.Item type | Current library | Home library | Shelving location | Class number | Status | Date due | Barcode | Item reservations | |
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Book | Paul Hamlyn Library | Paul Hamlyn Library | Floor 3 | 822.92 RYL (Browse shelf(Opens below)) | Available | 06440908 |
"I Am Shakespeare" is Mark Rylance's fascinating, witty and characteristically exuberant dramatic contribution to the Shakespeare authorship debate. Is it possible that the son of an illiterate tradesman, from a small market town in Warwickshire, could have written the greatest dramatic works the world has ever seen? Mark Rylance is one of a number of leading actors who seriously question the idea that William Shakespeare was the man behind the thirty-seven plays that have moved, inspired and amazed generations. First performed at Chichester Festival Theatre in 2007, Rylance's provocative play introduces us to the main candidates and their respective claims whilst asking fundamental questions about what makes a genius, and why it all matters anyway.
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