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Sound as popular culture : a research companion / edited by Jens Gerrit Papenburg and Holger Schulze.

Contributor(s): Papenburg, Jens Gerrit [editor.] | Schulze, Holger [editor.]Material type: TextTextPublisher: Cambridge, Massachusetts : The MIT Press, 2016Description: 448 pages : illustrations ; 23 cmContent type: text | still image Media type: unmediated Carrier type: volumeISBN: 9780262033909 (hbk.) :Subject(s): Sound in mass media | Sound -- Social aspects | Music -- Social aspects | Media Studies | Media StudiesDDC classification: 302.2'3'01 Summary: The wide-ranging texts in this book take as their premise the idea that sound is a subject through which popular culture can be analyzed in an innovative way. From an infant's gurgles over a baby monitor to the roar of the crowd in a stadium to the sub-bass frequencies produced by sound systems in the disco era, sound - not necessarily aestheticized as music - is inextricably part of the many domains of popular culture. Expanding the view taken by many scholars of cultural studies, the contributors consider cultural practices concerning sound not merely as semiotic or signifying processes but as material, physical, perceptual, and sensory processes that integrate a multitude of cultural traditions and forms of knowledge.
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Book Book Paul Hamlyn Library Paul Hamlyn Library Floor 1 302.2301 SOU (Browse shelf(Opens below)) Available 06431127
Book Book Paul Hamlyn Library Paul Hamlyn Library Floor 1 302.2301 SOU (Browse shelf(Opens below)) Available 06431135
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Includes bibliographical references and index.

The wide-ranging texts in this book take as their premise the idea that sound is a subject through which popular culture can be analyzed in an innovative way. From an infant's gurgles over a baby monitor to the roar of the crowd in a stadium to the sub-bass frequencies produced by sound systems in the disco era, sound - not necessarily aestheticized as music - is inextricably part of the many domains of popular culture. Expanding the view taken by many scholars of cultural studies, the contributors consider cultural practices concerning sound not merely as semiotic or signifying processes but as material, physical, perceptual, and sensory processes that integrate a multitude of cultural traditions and forms of knowledge.

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