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Chamber music : an essential history / Mark A. Radice.

By: Radice, Mark AMaterial type: TextTextPublication details: Ann Arbor : University of Michigan Press, c2012Description: 375 p. : ill. ; 24 cmISBN: 9780472071654 (cloth : alk. paper); 0472071653 (cloth : alk. paper); 9780472051656 (pbk. : alk. paper); 0472051652 (pbk. : alk. paper); 9780472028115 (e-book); 0472028111 (e-book)Subject(s): Chamber music -- History and criticismDDC classification: 785.009 LOC classification: ML1100 | .R34 2012
Contents:
The nature of early chamber music The crystallization of genres during the golden age of chamber music Classical chamber music with wind instruments The chamber music of Beethoven The emergence of the wind quintet Schubert and musical aesthetics of the early Romantic era Prince Louis Ferdinand and Louis Spohr Champions of tradition: Mendelssohn, Schumann,and Brahms Nationalism in French chamber music of the late Romantic era: Franck, Debussy, Saint-Saëns, Fauré, and Ravel National schools from the time of Smetana to the mid-twentieth century Nationalism and tradition: Schoenberg and the Austro-German avant-garde The continuation of tonality in the twentieth century Strictly confidential: the chamber music of Dmitri Shostakovich Two fugitives from the Soviet Bloc: György Ligeti and Karel Husa Benchmarks: chamber music masterpieces since circa 1920.
Holdings
Item type Current library Home library Shelving location Class number Status Date due Barcode Item reservations
Book Book Paul Hamlyn Library Paul Hamlyn Library Floor 3 785.009 RAD (Browse shelf(Opens below)) Available 06422128
Book Book Paul Hamlyn Library Paul Hamlyn Library Floor 3 785.009 RAD (Browse shelf(Opens below)) Available 06574653
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Includes bibliographical references and index.

The nature of early chamber music The crystallization of genres during the golden age of chamber music Classical chamber music with wind instruments The chamber music of Beethoven The emergence of the wind quintet Schubert and musical aesthetics of the early Romantic era Prince Louis Ferdinand and Louis Spohr Champions of tradition: Mendelssohn, Schumann,and Brahms Nationalism in French chamber music of the late Romantic era: Franck, Debussy, Saint-Saëns, Fauré, and Ravel National schools from the time of Smetana to the mid-twentieth century Nationalism and tradition: Schoenberg and the Austro-German avant-garde The continuation of tonality in the twentieth century Strictly confidential: the chamber music of Dmitri Shostakovich Two fugitives from the Soviet Bloc: György Ligeti and Karel Husa Benchmarks: chamber music masterpieces since circa 1920.

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