Sound design and science fiction / William Whittington.
Material type: TextPublication details: Austin, Tex. : Chesham : University of Texas Press ; Combined Academic [distributor], 2007Description: 304 p. : ill. ; 23 cmISBN: 9780292714311 (pbk.) :; 0292714319 (pbk.) :; 9780292714304 (hbk.) :; 0292714300 (hbk.) :Subject(s): Motion pictures -- Sound effects | Sound motion pictures | Sound -- Recording and reproducing | Science fiction filmsDDC classification: 791.4'3'024 Summary: William Whittington presents a contemporary study of the rise of sound design and its relationship to science fiction cinema. This in-depth study considers the evolution of sound design not only through cultural and technological developments during the last four decades, but also through the attitudes and expectations of filmgoers.Item type | Current library | Home library | Shelving location | Class number | Status | Date due | Barcode | Item reservations | |
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Book | Paul Hamlyn Library | Paul Hamlyn Library | Floor 3 | 791.43024 WHI (Browse shelf(Opens below)) | Available | 06661408 | |||
Book | Paul Hamlyn Library | Paul Hamlyn Library | Floor 3 | 791.43024 WHI (Browse shelf(Opens below)) | Available | 06611508 | |||
Book | Paul Hamlyn Library | Paul Hamlyn Library | Floor 3 | 791.43024 WHI (Browse shelf(Opens below)) | Available | 06611516 |
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791.43024 VIE The sound effects bible : how to create and record Hollywood style sound effects / | 791.43024 VIE The sound effects bible : how to create and record Hollywood style sound effects / | 791.43024 WHI Sound design and science fiction / | 791.43024 WHI Sound design and science fiction / | 791.43024 WHI Sound design and science fiction / | 791.43025 BOR Narration in the fiction film / | 791.43025 ETT Production design & art direction / |
Includes bibliographical references and index.
William Whittington presents a contemporary study of the rise of sound design and its relationship to science fiction cinema. This in-depth study considers the evolution of sound design not only through cultural and technological developments during the last four decades, but also through the attitudes and expectations of filmgoers.
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